The film tells about ancient rituals and traditions, original rituals that were used during weddings and matchmaking. Evening on the eve of the wedding in the village of the Pskov region. Black and white photographs and stories of old ladies on one side; living rituals, traditions that have survived to this day on the other. The picture is dedicated to a Russian wedding, but in fact it is about a moment, about a girl's state of expectation of happiness.

A collective image of one day of life in the "red zone" of a covid hospital, where doctors and patients are fighting COVID-19.

The reserved seat carriages of the train, trees flicker outside the window, they are replaced by waves and the sea, the roar of the engine, the serpentine. He and she. Kobuleti, Georgia, hospitable people and difficult relationships against the backdrop of measured local life.

The material for the film was a unique photograph of the Kexholm regiment, taken in 1903. A photographic plate 65 by 110 cm (more than 1000 people in the frame) made it possible to clearly reproduce both entire groups and individual faces of soldiers. All filmed in one shot. The counterpoint to the image is fragments of letters and memoirs of soldiers and officers of the pre-revolutionary army. At all times, for the Russian soldier, the main principles were love for the Motherland, loyalty to the oath, and sacrifice.

While researching a secret Soviet antenna at Chernobyl, which interrupted global radio communications from 1976 – 1989, Fedor Alexandrovich uncovers a dark conspiracy. The scientists and military men dismiss his warnings that Russia is behind a massive cover-up and he descends into a nightmare where he battles the antenna on his own terms. When he is invited to address the crowds in Kiev’s Revolution Square during height of the protests, he fears that powerful men may kill him if he speaks out.

March 11, 2011. What happened that day in Japan seemed absolutely impossible, but it turned out to be completely real. What is the future for the people of Fukushima? Will they be able to live a normal life? And will there be an end to the dark tunnel in which they, and indeed all of Japan, found themselves? The greatest nuclear tragedy occurred at the Chernobyl power plant in 1986. And I decided to go to Chernobyl to find answers to the questions that tormented me. I wanted to see with my own eyes the consequences and perhaps overcome them. I wanted to find a way out for the Fukushima people. You can't bring back the past, the clock won't turn back, and the only thing left for us is to move forward.

The fate of Diego Rivera, a Mexican muralist who glorified the Mexican Revolution with his art, is connected with Russia in many ways. Russian artists Angelina Belova and Maria Vorobyova-Stebelskaya bore him children, for a long time he was friends with Trotsky, joined the Communist Party several times, was friends with Eisenstein, Mayakovsky, Ehrenburg. Finally, it was to Soviet Russia that he came in the last years of his life in the hope of being cured of cancer. This film is about Diego Rivera and how, 50 years later, his legacy is seen.

In 1942, the front line passed in the Vitebsk and Novgorod forests, thousands of Soviet soldiers died here. Today, on the Belarusian-Russian border, enthusiasts are looking for human remains that have not yet been buried according to the laws of peacetime, not wartime. According to human laws.

Galina Starovoitova entered politics two years before the collapse of the USSR, at the time of radical changes in the country; and all her activities over the course of ten years, until the moment of the murder, was both a hit on time and a fantastic advance. She was a real politician of the 90s, built a young Russian democracy, looked to the future with hope, soberly and bitterly assessing the present. But she can also be safely called a politician of the XXI century: Galina Starovoitova spoke about the most important current problems of our society, ahead of her time by several decades.

Anton is 12 years old. He lives with his grandmother in a little house outside Moscow. He spends his holidays with his pals or just plays around with his babushka, who lovingly teases him back. Those carefree days of summer vanish when he goes off to a military training camp, like most Russian children do, where we find him armed and in uniform…

Provincial theater school students come to Moscow for a progressive arts festival. This is the story of the collision of the capital and the provinces, young talents and stars, the "old" school and the "new"; a story that is looped because it repeats itself with every generation.

The history of the creation of the film "Stalker" for a long time remained one of the white spots in the history of cinema. The bitter truth about what happened in connection with this film in the relationship between two major artists in all its authenticity was first told by witnesses and participants in the filming.

A story about the separation of a mother and her 3-year-old daughter who now live in different countries and cannot reunite due to visa problems. Every day they communicate via video chat and dream about meeting soon.

After a twelve-year separation from her son and from the city of her dreams, Liza travels to St. Petersburg to visit them both. The purpose of her trip is to convince Leonid to return with her to Israel, but an insurmountable barrier stands in her way, in Israel Leonid is waiting for a prison.

The realities of Russian reality frighten and do not suit many, therefore, various kinds of teachings that offer a "way out" are becoming more and more popular. A film about voluntary outcasts trying to live by other laws. The events of the film unfold in the village of Petropavlovka, Krasnoyarsk Territory. People of different professions and social status gathered here, united by the desire to gain vitality, to create their own morality and their own values.

“All Udege are animists. They see life all around. And there is no death." V. Arseniev. From the manuscript "Country of Udehe".

My Perestroika follows five ordinary Russians living in extraordinary times – from their sheltered Soviet childhood, to the collapse of the Soviet Union during their teenage years, to the constantly shifting political landscape of post-Soviet Russia.

In 1982, 26 children were enrolled in a special physics and mathematics class. Those who got into this elite school were guaranteed a predictable future, the guys were preparing to become mathematicians, physicists and serve their homeland. Then came the restructuring. One of the students in this class was the author and director of the film Ekaterina Eremenko. The film has many poles, subjective honest stories and objective strict physical laws used as metaphors; half the class who left the country and classmates living in Russia; past and present; children and their parents.

In the remote Siberian taiga lives the religious leader Christ Vissarion, who proclaimed himself the reincarnation of Jesus Christ. Thousands of followers gathered around him, among them the ringer Dmitry and his wife Sveta, who several years ago moved to live in the taiga with her three children from distant St. Petersburg. However, the father of the children does not agree with this state of affairs. He decides to write a letter to the presidential administration, demanding that the children be returned to him.

Mikhail Bogdanov-Berezovsky, the young head of the family looks to the future with confidence. He lives in a small provincial town in the Sverdlovsk region, where he is going to open his own business and takes loans for this. His wife does not have a soul in him, friends call him the Hero of our time. The film crew comes to the hero half a year later and sees a completely opposite picture. The story takes a new turn.