About the tragic fate of the German teenager Hubert Loste, who, by the will of circumstances, ended up in the USSR in the era of "great construction projects" and "great terror".

In the remote Siberian taiga, the followers of the former policeman Sergei Torop, who declared himself the new Christ, the so-called Vissarionites, are waiting for the end of the world and are preparing themselves and their children for life in a new civilization. Are they all sincerely glad that they left their former life?

Near the Central Bus Station in the northern part of Israel, in the city of Karmiel, there is a 7-story building surrounded by a high fence with surveillance cameras. About 100 teenagers who came to Israel without families from the countries of the former Soviet Union live in this building. They undergo a nine-month adaptation course, after which they must turn from "Russians" into "Israelis". Excessively long stay in a closed atmosphere produces the opposite effect.

A film about a doctor, about Dr. Lisa Glinka. About a woman who feeds and heals outcasts and the homeless, regardless of their nationality and citizenship. She alone does not receive a salary in the Fair Aid Foundation organized by her. There is nothing in her behavior from a dull worker of the state "mercy service". Dr. Lisa is an energetic, cheerful and charming person who just loves her job very much.

The protagonist of the film is engaged in a completely non-female business, but does not see anything supernatural in this.

The film tells about the outstanding actor Georgy Zhzhenov, his life in Leningrad, the beginning of his film career, arrest, investigation, detention in Shpalerki and Kresty prisons. The protagonist, as it were, leads a tour of the historical places of his biography. The audience together with him visit the very cell where Zhzhenov spent two and a half years, his communal apartment. Georgy Stepanovich meets people with whom he once knew, long-forgotten names, surnames, lines of poetry come to mind.

The famous English science fiction writer Herbert Wells visited our country three times. The first time was 100 years ago, in 1914. Then in 1920 and 1934. And each time another Russia opened before him, completely different from the one he had seen during his previous trip.

A film about the life and work of the outstanding Russian literary critic, writer, screenwriter, leader of the Russian formal school Viktor Shklovsky. Tracing the brightest moments of this life, tightly intertwined with the life of the twentieth century, is the main task of the film. And, of course, the creators of the documentary could not ignore the writer's love interests, which he wrote about in the famous "letters not about love."

The film tells about the house manager Tatyana Radzievskaya. On the shoulders of this woman lay the difficult duty of the "mistress" of the house, located in the old district of St. Petersburg. Tatyana is forced not only to fulfill her direct duties, but also to listen to the sorrows of the residents, to be an adviser, educator of the younger generation, as well as a cleaner and organizer of subbotniks on the territory of the house. The comic story of a house manager who is dissatisfied with everything gradually develops into a personal drama. After all, all relatives and the real home of the heroine are not in St. Petersburg. And she could have left a long time ago, to live in the village, but she is not ready to leave the tenants who have already become her family, painfully familiar and beloved entrances.

Current anthropological anima-doc is focusing on one of the most "vital" and tangible components of the world's cultural heritage – the cemetery architecture. It is also a gimmick celebrating death with a virtual life flicker, which attempts to capture everything related to the traditions of commemorating the deceased in Europe over the past 5,000 years. This oikumene art piece features very interesting and unique approaches stemming from historical traditions and their modern mutations. The film creates a pseudo-life with the help of the magic of hyperlapse, an anima technique. More than 70 cemeteries in 27 countries are covered in 15 minutes!

The modern television process is unthinkable without the participation of the audience in the studio, a motley crowd of people who want to become famous. People from the crowd, who are they? The authors of the film tried to change the general plan to a close-up and look into the fate of these heroes. The backdrop to intriguing life stories is the television kitchen, where, in fact, the “star” dramas of people from the extras unfold.

The film, directed by Peteris Krilov, is a private look at the life of the artist Gustav Klutsis, one of the leading representatives of the Russian avant-garde art of the early 20th century, whose life drama reflected the tragedy of the entire nation during the Stalinist repressions. This is a story about the ambition, hope, love and responsibility of the artist, which he continues to bear even after his death.

The film tells about people whose childhood was spent in the very heart of Moscow, the Kremlin. Among the participants in the film are Stalin's niece Kira Politkovskaya, Stalin's adopted son Artem Sergeev, Svetlana Alilluyeva, Stepan Mikoyan, Natalya Krestinskaya. Immediately after the revolution, the Kremlin was both home and place of work for Soviet leaders and their families. For children, it was a large communal apartment in which they spent all their free time. There was also a special cinema, and a dining room, and a place for games, a New Year tree closed to prying eyes, and a skating rink. The film is based on the memories of children who once played on Cathedral Square.

Through following the twists and turns of three generations of women in the Russian-speaking Latvian film director’s family, the film attempts to look at the reality of the half-million community of Latvian Russians. It is the story of a grandmother – a veteran of the World War II who came to Latvia in 1955 in search of a better life, a mother – a lecturer in a University, and an eighteen-year-old daughter – young artist. The film tries to find out whether this family has managed to find its place in the society after 30 years of living in an independent country.

Belarus. Town of Zhlobin. It's been 21 years since the collapse of the Soviet Union. Most of the locals survive solely by making and selling soft toys. Their only customers are the people passing through on trains. However, approaching a train with a toy in one's hands is illegal.

In 1941, in the village of Bolshoy Priklon, while seeing her husband off to the front, a woman bartered 5 glasses of tobacco for him, but did not manage to hand it over. She kept this tobacco for a long time, hoping that her husband would return, and when very harsh times came, she changed tobacco for food in order to feed her eight children. After that, she was arrested on a denunciation as a speculator and sent to the camp along with the youngest, just born son. Since then, seven brothers and sisters have been looking for their younger brother, who, if he survived, could not remember anything about himself. This story is not only about separated twin brothers Miklos and Tibor Blaer. It is about everyone who was crippled by the war.

"We propose to look at the history and present day of the Kremlin through the eyes of people who have served the Kremlin for years. The film consists of five episodes. The first is the preparation of the Kremlin for the New Year, the second is dedicated to the Kremlin as a presidential residence, then the Arsenal and military history, the fourth is about symbols, the fifth series talks about the Kremlin as a museum. For example, a woman spent her whole life studying the Monomakh's hat. She, this keeper, talks about this hat like that! However, you need to watch the film," says Vitaly Mansky.

40 km of dirt road. 35 villages. 12 residents. Soon there will be no one left.

The fate of Kamenny Island on Lake Kubenskoye and the fate of Alexander Pligin, a Vologda resident, a talented engineer, a master of sports in jumping, a father of three children, have become inseparable for some time. And even death is not a hindrance.

The "otherwise gifted" son of a village priest really wants to look at the world from the bell tower of his father's church. But he cannot overcome the fear of the unknown on his own, and then his mother comes to the rescue. For whom will this rise be a feat? And what is the feat of life "cross" or "blessing"?