Outside in 2012. The agreed-upon rally on May 6 on Bolotnaya Square in Moscow is violently dispersed by riot police. This is a rally of those who disagree with the results of the presidential election, which Putin won. The protagonist of the film, an activist of the movement "Solidarity" Vsevolod Chernozub decides to stand on Bolotnaya to the end. Neither he nor the other participants in the rally have any idea how events will develop further. Seva is young and confident in the victory of a peaceful protest. He was one of the organizers of the first march on December 5, 2011 after the elections to the State Duma, from that day a wave of protests began in Moscow and Russia. Seva and his comrades are trying to figure out how to act now that so many people are chanting, "Fair elections!" They want to set up a tent city on Pushkinskaya Square the day after the presidential election and push society towards a peaceful regime change. This film is a nostalgia for those times when you could go out into the street and chant "Russia without Putin." This is an attempt to find in the recent past the answer to the main question of today.

300 years ago, the reform of the Russian Orthodox Church led to the persecution of all those who were against innovations. Many Old Believers were killed or fled to the uninhabited outskirts, even abroad. This film is a portrait of a small Old Believer community. The ancestors of its members settled three centuries ago on Lake Peipus on the border of Estonia and Russia. They live almost the same as they did two hundred years ago, grow onions and fish in the lake. They are not in danger from the homeland of their ancestors, it is literally on the other side of the lake and history. This past. A much greater danger is modernity.

A 20-episode inventory of twenty years of new Russia in the reflection of pop music and mass culture. Musician Sergei Shnurov leads journalist Boris Korchevnikov through all the significant places in the new history of the country and its stage, analyzing the nature of what is happening on it in this 20th anniversary.

In Caucasus, men and women tell stories about their fascination with prehistoric monuments. Offering a hallucinatory perspective on ecstatic effects and ancestral powers, the film is also about how stone activates children's paranormal capacities. Bodies and minds are put to the test and question our relationship with the visible and the invisible.

In the center of the film is an extraordinary person Igor Burtsev. In pursuit of the Yeti he traveled half the world. And despite the ironic attitude of family and colleagues to his occupation, the amateur tracker is not going to give up. He believes that Bigfoot is somewhere nearby all the time, and they will definitely meet. However, it is not so important whether the long-awaited meeting will take place or not. The main thing is that a loyal friend Yeti makes Burtsev move forward every day.

A philosophical parable created from newsreels filmed in the area of hostilities in Ukraine. Its content is similar to the chapter of Homer's Iliad, when Achilles, who killed the Trojan prince Hector in a duel, hands over the body of the enemy to the king of Troy Priam (Hector's father) for burial and stops the war for the time of burial.

This is a story about grown children. Adults in their 10 years. Cigarettes and alcohol, rudeness and childish immediacy, these few words can describe the world in which Nikita lives. He has 4 grades of elementary school behind him, but now it’s not up to school anymore, he has to earn money and take care of his alcoholic mother. Nikitin's comrades are also "children of the streets." What we called "happy childhood" seems to be losing relevance. And does Nikita need it?

In early June 2019, a group of scientists from the Academy of Sciences of the Republic of Sakha (Yakutia), led by Innokenty Pavlov, with the support of residents of the Alaikhovskiy ulus, went to the northern tip of Kotelny Island in the New Siberian Islands archipelago in the Arctic. The goal is to extract fragments of a mammoth carcass in the tidal zone of the Arctic Ocean.

The story of a woman who literally changes her life before our eyes. With a prison behind her and a life in a dysfunctional environment, she is trying to become an actress. She plays in the theater, she is filmed by Loznitsa and Serebrennikov, but she has nowhere to live, and there is no money even for cigarettes. The new life is difficult, and the old one pulls back. And the prison is still nearby, because she finds herself at the very center of the Moscow protests.

The film is available only on the territory of the Russian Federation.

Raisa Pavlovna is 94 years old, she survived the war, the death of two husbands and a daughter. She lives alone, but almost never leaves the house, and constantly asks herself and those around her why she was given such a long life, for sins or for good deeds? All that she has left is a lot of memories, which she generously shares with her great-granddaughter. It seems that Raisa Pavlovna can cope with anything, even with the repairs that her relatives started in her apartment.

This is a story about two orphanages in the city of Ufa, in which a competition based on the novel "The Count of Monte Cristo" was announced. The series shows the preparation for the competition, its final, the life of children, their destinies, their games, their dreams. The authors tried to make a funny film about a sad topic.

November 8, 2016 marks 55 years since the very first KVN program went on the air. "Club of cheerful and resourceful" knew good and bad times. For censorship reasons, it was closed in 1972, and was revived only in 1986. But even without the air, KVN existed on student and amateur stages, lived, developed, changed with time and country. There is not a single similar television centenarian in the world. So who are they, the inventors of this "perpetual motion machine" Muratov, Yakovlev and Axelrod?

After the collapse of the Soviet Union, Natasha immigrates as a child with her family to Germany. The film begins today, twenty years later, when Natasha returns for the first time to her unknown home. Natasha's time in Baikal Port is mainly structured through her everyday encounters with the people who live there. In different situations, she meets them and gets into conversations about employment and living conditions that are still marked by the effects of the Perestroika. While Natasha gains these intimate insights into different ways of living, she reflects on her own position and tries to make a connection with this place, which is a part of her identity. The cinematic drawing of intimate portraits of people living in Baikal Port as well as Natasha’s play- acting as a returning, identity-seeking figure is accompanied by an ever-present recording camera. It shakes, zooms and focuses, it behaves like an autonomous body. This always raises the question of who is the actual experiencing body of this journey – the person behind or in front of the camera?

Stories about people who studied in one of the largest schools in Tallinn, lived in the largest residential area in very similar apartments, played very similar games. Many years after leaving school the director finds his classmates in different parts of the world. A symbol of the common past is a questionnaire, where the most important thoughts and the most tender feelings are recorded. Someone today lives in Berlin, someone in Cambodia, someone in Moscow, but at a meeting 25 years later friends laugh and joke as if they finished school only yesterday.

The film takes place against the backdrop of the events of November 2014. When the diploma of higher education of Yekaterinburg Mayor Yevgeny Roizman was in question. How did it happen that a man who positioned himself as a poet for most of his life became the mayor of a city of one and a half million people?

Portrait of a homeless Russian-speaking chess player traveling through Germany and Europe, playing chess with passers-by on the street.

Melodrama about the birth of twins, conceived with the help of IVF. The film crew for several months led the heroine to childbirth, simultaneously facing all the problems associated with late motherhood. The film shows the experience of a woman, shows the true synergy of doctors and patients, united by a single goal which is the birth of a new life.

Russia 2012, year of Putin’s re-election. For the first time in 15 years, the population is rising up for political change, starting with the 20-somethings who make up the National Bolshevik Party. Their guru: Eduard Limonov –punk poet turned radical leader. Zhenia, Marat, Anya, Shuka and Tvorog come from the provinces of a country destroyed by authoritarianism and brutal capitalism. With no true political platform, beliefs that flirt with extremism and revolution as their sole religion, they look up to Stalin and Robespierre, Gandhi and the Che. Galvanised by the stories of their patriotic idols, they have chosen to live like revolutionary heroes.

In mid-June, the village of Santo Antonio de Mijoes da Serra in the Valdreu region of Portugal honors its patron saint. On this day, local farmers bring cows, horses, dogs, cats, chickens and rabbits to church for blessing. This ancient tradition is passed down from generation to generation, and now, like centuries ago, people and animals walk together along the mountain road to the temple and grace.

Alexey Belov is a virtuoso guitarist, composer, leader of the Gorky Park band. Olga Kormukhina is a rock singer with the voice of Tina Turner. They are so different and so similar. He admired the timbre of her voice. She admired the musician Belov. They went through life on the same road, but met on a completely different path. After the temptations and disappointments of show business, they slowly but surely walked towards each other and found themselves. This whole world is in the past of now deeply believing Christians Alexei Belov and Olga Kormukhina.