It is a story about the largest city beyond the Arctic Circle presented by the international team of artists and researchers. The key features of subcultures, non-obvious touristic routes, migration process and hidden layers of the past, present and future of Murmansk emerge through the prism of alternative artistic tools. In search of a new northern identity, the Russian-Dutch group of artists put together a controversial portrait of a post-Soviet Arctic city, giving the city's residents an opportunity to outspeak.

“Today you will hear my most honest and truthful story about how I made a movie with Eisenstein and Pudovkin almost 90 years ago, how I shot from a bow in the movie Ivan the Terrible, about how I taught the Red Army to ski, how I built the Riga Film Studio, about Naval ships, about Stalin and life in the Universe."

The fates of people for whom alcohol becomes an integral part of life are surprisingly similar. Alcohol replaces a person's family, work, becomes the meaning of life. Years of binges lead a person to the very bottom, getting out of which seems to many almost unrealistic. Depression, suicide attempts, ruined life, dead end. The film will present the stories of people who not only managed to do the impossible and return to normal life themselves, but who today pull out those who need it from the bottom of a drunken life. Save yourself and others is the goal that unites them.

A real author takes everything from his own life, and if this life consists of a series of repetitive relationships, then this can be used, for example, as a script. But if life itself turns into a construct, is there a place for a happy ending in it?

There were many incredible turns in the life of the main character of the film, so surprising that it seems that the biography of one person simply cannot contain them. From Moscow State University to Baghdad University, from there to the Central Committee of the CPSU, and then to work as a watchman in an Orthodox church and a swift church career under the direct tutelage of Patriarch Alexy II. Now this man, remaining a priest, develops new talents of the writer, literary critic and propagandist of poetic creativity Vladimir Vysotsky. He is also an artistic musician and singer. In general, personality.

The film tells about the legendary St. Petersburg drummer Igor Cheridnik, who managed to outplay in many popular Russian bands during his considerable career. This story is not about the man himself, but about his work and love for music.

The film is a memory of the living witnesses of the former greatness of Lenfilm, where "the corridors teemed with geniuses and everyone was obsessed with creativity" with the participation of director Gleb Panfilov, cameraman Igor Plaksin and editor Maria Amosova.

In a small village on the White Sea, people live who, for various reasons, do not want to leave for the city. The young teacher deliberately came to Kuzomen, leaving her career in Murmansk. Fisherman Yuri tried to live in the city, but could not and returned. Arthur, after the army, also chose the village for life and dreamed of making it better. He dreamed, but his life was tragically cut short.

A film about life at the intersection of scientific, spiritual and everyday life. Like a drop of water, this film seeks to collect and convey the meanings that everyone finds for himself, in his heart, in his sincere quest and in his exceptional experience.

Communication between teachers and parents has its own characteristics. The success of educating students depends not only on the attitude of the teacher to his duties, but also on the influence of the environment in which he has to work. The teacher today is under threat. The current generation of parents encroach on the rights and freedom of teachers. Teachers are forced to give up their inner self in order to please.

Officials make lists of honorary citizens of the city in alphabetical order. The old man Bukashkin is not on this list, there is no poet, artist, punk-rock buffoon, youth shepherd, Yekaterinburg cultural leader. The widow and son of Bukashkin talk about the frailty of his life after his death. The widow, a bank accountant, during her lifetime did not like to go to her husband's workshop, but she was not particularly expected there. Son Yaroslav, on the contrary, considered his father very brave. He is a son from another woman, now lives in Austria, works like a father, in the energy sector (at the IAEA), spent all his childhood in Bukashkin's workshop, sang with him and drew donation boards.

The author's view of Vladimir Vysotsky, but without the author's text. The film is built solely on the stories of the singer's contemporaries. Why did Vysotsky not like Galich and how did he behave in relations with the director of the famous Taganka Lyubimov? What did marriage with Marina Vladi give the poet and what did it take away, what did he have to sacrifice for the opportunity to visit the West? What were friends afraid of in the last year of Vysotsky's life, and why do some of them still not stand each other? Why did the poet's mother want her son to die soon? The film by Igor Shestakov is an attempt to understand what it is like to be close to a genius. The film uses little-known footage from the chronicle, including fragments of songs filmed by fans directly from the auditorium.

In Khabarovsk, about a thousand people live in several homes for the elderly and disabled. The main task of the project, in which, in addition to veterans, students of the Khabarovsk Institute of Culture take part, under the guidance of the current theater director, is to connect two generations. The purpose of the "Silver Theater" is to introduce older citizens to theatrical art, to provide an opportunity for self-realization and to perform on the stage of a professional theater.

The author and stage director Vitaly Potemkin was friends with Alexei German for three decades, made several films and television programs about him, followed the process of creating the last two films of the Master. Therefore, he relies only on his own exclusive materials. The picture richly uses rare photographic materials from the archive of the Herman-Karmalita family. It will be interesting for the audience to visit the apartment, where its owner Svetlana Karmalita, Herman's co-author and his wife, shares her memories from the bottom of her heart. Alexei German Jr., now a well-known film director, also expresses his view on his father's work.

The most honest and most candid film about the most famous and most unknown poet. Unique documents and last eyewitnesses about the life, death and illness of Sergei Yesenin.

The main character is an aspiring actress. Her judicious self-reflection on camera in conversations with a friend and with a psychologist reveals a painful personal trauma as an endless material for life and creativity, from which one cannot get out. The characteristic problem of a girl who fled to the capital, a stranger in her own family, is revealed in a fragile chamber story with a blurred line between a haunting past, roles in the theater and everyday life.

This is a film about people who were killed by the coronavirus epidemic in Russia. They were among the first to leave, when many did not yet realize the scale of the disaster, did not understand how dangerous the new coronavirus was.

Sasha lives in Kostroma in a dorm room, he does not have a permanent job, but he has an alcohol and drug addiction. He is 30 years old, he is completely confused in life, does not know what he wants, cannot understand himself. He tried to leave for a monastery, but returned due to a new romantic interest. A year later, Sasha's life changes. He lives in another city with the same girl and her son, he himself had a daughter. He has an apartment in a mortgage, he works as a baker and sometimes goes to Kostroma to earn extra money. Life has changed. Has Sasha changed?

The guy grazes cows in the village of Yuzhny near the city of Kimry. In the summer he does not have days off, he spends all the time alone. There is no one to talk to, joke with, share your thoughts, your secret.

In the film the director answers the accusations against Marina Tsvetaeva. After the opening of the poet's archives in 2000, for the death of her youngest daughter Irina, streams of mud fell on Tsvetaeva. On the basis of letters, diaries and archival documents, the film participants reveal step by step the life of Tsvetaeva from 1917 to 1922.