The film was conceived as a story about the history of the Gogol Center theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a movie about a movie that couldn't be made.

Artom and Lilya husband and wife. They are the children of great scientists. Like me too. We were born in Akademgorodok (USSR), the new Atlantis, built by our parents in the 50s. We saw it, lived there. And meeting each other many years later. Being already from completely different worlds, we decided to spend a vacation together. A serious thought about a possible nuclear strike on our native city, on our homeland, made some changes in our trip. And changed our life too. It was Russia, 2014.

The film is about trying to find yourself through connection with relatives who are very far away.

In the town by the sea, from the place visited by tourists "Balcony of Europe" you can observe a miniature model of the world, mass holidays and everyday routine. For the locals, the rhythm of life they have adopted means stability in a rapidly changing noisy world around them.

Three directors are making a movie about their past week. The smallest details of these events are still fresh in their minds, so relationships, work and everyday existence are shown with an unparalleled honesty that gives new meaning to the very concept of feature films.

Old age awaits us all. But if some survive, others live without noticing the years. Our hero is an artist-painter, a person who is not discouraged. He is 79 years old and is still a romantic. He had four wives and countless "muses". And he dreams of falling in love again and then only dying. The main thing for him is the love of painting and, of course, the love of life.

The protagonist of the picture is Sergey Dyakov, a Vologda air ambulance doctor. A film about the real everyday life of doctors in the outback of Russia, about the difficulties, about the presence of responsibility in the profession of a doctor.

First part of a diptych dedicated to Karelia, a border region between Finland and Russia, and the homeland of the Karelians. Duque‘s essayist narrative portrays moments where the real and the fantastic of a culture come into conflict, “a hallucinated history of Karelia where different layers of time converge”. Karelia - which has belonged to Sweden, the Republic of Novgorod, Finland and Russia - is a region of contrasts due to its border dimension, cradle of Finnish literature and memory space of the wars and repressive policies of the last century. A family from a remote village preserves the vestiges of their ancestral and shamanic-culture; on the other side, the testimony of the daughter of a historian currently in prison. Both stories reflect and criticises Putin’s current actions to rewrite the history of Russia.

During the 1974-91 waste paper collection campaign, people could exchange the collected waste paper for coupons to receive popular books. From conversations with members of the same family, a common story is formed, revealing the relationship between people and books during one day in the life of March 7, 1974.

In two weeks the players from Abkhazia are going to London. The World Cup among unrecognized states and autonomies will be held there. The task of the Abkhaz national team is to win this tournament at any cost. The plans of the Abkhaz footballers are overshadowed only by the fact that until the last moment it remains unclear whether they will receive a British visa and whether they will even get to the championship.

The Solovetsky Monastery, built in the 15th century, is a sacred place in whose history holiness and tragedy, unity with God and the terrible ordeal of a special purpose camp have merged. This is the place where even today everyone is looking for an answer to the main question “who am I?”. The protagonist of the film goes there to shoot a documentary, and things start to go wrong.

Gas comes to a distant village. But the village is already filled with its natural sounds.

For more than four centuries, the story of Romeo and Juliet has been considered a model of romantic relationships between a man and a woman. However, William Shakespeare modestly kept silent about what kind of drama the relationship of the characters could have turned into if not for the ending, which we are well aware of. The film by Konstantin Seliverstov, based on documentary stories, offers several possible options for continuing the classic plot at once.

About a new generation of Russian protest. Milena, Kolya and their associates are twenty years old. They grew up during the presidency of Vladimir Putin and do not know other rulers. At a time when their parents may be afraid to protest, these young activists are ready to take risks and fight for their ideals. A year before the 2018 presidential election, the heroes of the film were inspired by the calls of Alexei Navalny and took on the task of convincing Muscovites not to vote for Putin.

Artemy Ulyanov works as an orderly in the morgue. And he writes books. Which are printed by the largest publishing houses.

Tasya, a 12-year-old girl from the village of Tomsino in the Pskov region, wrote a letter to Vladimir Putin asking him to help her mother, a nurse at a local hospital. The residents of the village, where Tasya and her mother moved shortly before, did not like this, they say, you need to "work, not beg." They started bullying Tasya, and her ex-girlfriend met her online under the guise of a young man and lured nude photos.