Georgia, Kutaisi. The war had just ended, there were few joys. Everyone's nerves were on edge, the homeless went in flocks. I lived as a partisan in my hometown, and the only island where I felt good was Library No. 6, this is how the amazing childhood story of the artist, writer and director Rezo Gabriadze begins, in which real facts are mixed with the fantasies and dreams of a 10-year-old boy. In simple words of a little boy, Rezo Gabriadze talks about love, respect, repentance, forgiveness, growing up, interspersing funny and sad in equal proportions. He tells charming and touching stories about how to pass the test of humanity, comprehend compassion and find beauty in the little things in life. A feature-length animated film based on the stories and drawings of Rezo himself is a warm and touching declaration of love to the artist from the people closest to him.

60s, 70s, 80s. Our childhood, youth and youth of our parents. Some songs, some films, some idols. Kindergarten, school, pioneer camp, institute and army. Everything, like everyone else. Our life. Who does not remember the rumbling of a small movie camera, home viewings of 8 mm films. Years have passed, life has changed, and the miraculously preserved old film footage of family newsreel helps us return to the past, which is not always fun. "Private Chronicles. Monologue "" is not just a portrait of time. The hero of the film is a "typical representative", "average type", a person born on April 11, 1961, with whom we live the first steps, the first school years, the first love, the first sexual experience, the first betrayals and the first insights, until 1986, when what some call the beginning, others the end began in the USSR.

In the 90s, Stasya and his dad were spending their summer holidays in Odessa with their grandmother. Their relatives from different cities of Russia were also coming there to enjoy the warm sea. 30 years later they meet again. This time in Moscow.

Oleg Mavromatti's film is an absolutely new genre of audiovisual work. It is made entirely from Internet footage, but at the same time it has a very bright, very individual rhythm, peculiar only to Oleg, and a way of organizing the artistic fabric. The protagonist is a real person who tries to find himself in a virtual environment by publishing his video diaries. We see how his consciousness dissolves in the media space, in which there is no death, which means there is no life. This existential drama about human loneliness makes the viewer look inward and see the abyss of media propaganda. The tape was awarded as the Best Documentary at the National Film Festival of Debuts "Movement" -2015.

Once upon a time In Vladivostok, Russia there lived an old woman. She lived all her life with her old man. They lived like two dogs. Biting each other all time. He told her: “Do not smoke, Olya!” She said to him: “Fuck U”. So they lived happily they had children and grandchildren too. They celebrated the New Year together, until one day the old woman died. And the fairy tale here is not the end. That’s where all the fun begins. How to live further?

Déni is trying to find himself. His soul-searching takes him on the traces of his childhood, in the snowy landscapes of Kazakhstan. In an apartment decorated with thick drapes, he encounters his Chechen family and his patriarchal culture. At the mosque, or in the boxing gym, he discovers the closeness of the men of his “clan”. They are all virile and settled in their lives. He is struggling to find his place.

A girl crosses the border into Syria to see her father and his new family. There is still peace in the city. The war is somewhere nearby, but here and now the main thing is the very question. And the daughter, finally, asks his father.

1080 meters is the depth of the Komsomolskaya mine, where the heroes of the film descend daily. Around the tundra and abandoned villages. There are five mines left around Vorkuta. After the explosion, there were four left at Severnaya. The city lives. Pasha and Roma drive around the city in cars, talking about their lives and finding themselves in various places.

A film about the preparation of North Korean residents of the DPRK for the Arirang holiday, about how thousands of people are rehearsing the most massive performance in the country at a stadium in Pyongyang.

A self-portrait of the artist, who in a light self-ironic way describes his entry into creative life through the first photograph taken.

Film-self-portrait. In 1998, an armed attack was made on our family. We managed to escape, and we left Grozny. We were silent about it all the time.

Roman is an ordinary young guy who hopes to find mutual feelings in the big city. Even despite the difficult experience of past relationships, friends and those around Roman believe in him. This is a story about us. Every day is like a test, because Roman goes to the central streets of Moscow and meets girls there. To overcome fear and approach a stranger is his personal victory. But who knows how the dialogue will continue?

Officials make lists of honorary citizens of the city in alphabetical order. The old man Bukashkin is not on this list, there is no poet, artist, punk-rock buffoon, youth shepherd, Yekaterinburg cultural leader. The widow and son of Bukashkin talk about the frailty of his life after his death. The widow, a bank accountant, during her lifetime did not like to go to her husband's workshop, but she was not particularly expected there. Son Yaroslav, on the contrary, considered his father very brave. He is a son from another woman, now lives in Austria, works like a father, in the energy sector (at the IAEA), spent all his childhood in Bukashkin's workshop, sang with him and drew donation boards.