There are two weeks before the meeting with the mother. There is a month before death. But the first seems much scarier. "Outro" in music means the completion of a piece, an exit, a sign of the end.

A film that tells about the strange life of an old woman, almost the same age as the 20th century, who makes the same long journey every day. What drives a person? What determines his life path? The answer to this question is sought in the life story of this woman.

From Oscar nominee Kaouther Ben Hania and winner of the Best Documentary prize at Cannes, "Four Daughters" is a riveting exploration of rebellion, memory, and sisterhood. It reconstructs the story of Olfa Hamrouni and her four daughters, unpacking a complex family history through intimate interviews and performance to examine how the Tunisian woman's two eldest daughters were radicalized.

One day, Dutch film maker van der Horst was given her inheritance: 6 square meters, one sixth of a small, wooden house in the Russian countryside where her mother grew up. It was as if life had handed her a card she felt forced to play.

Siege of Leningrad during World War II. Filmed by cameramen-heroes. Without words, without music, only sounds and pictures of a dying city. Or a city trying to survive.

In this film, five great Russian actresses, stars of Soviet cinema. Nonna Mordyukova, Tatyana Samoilova, Tatyana Okunevskaya, Lidia Smirnova, Vera Vasilyeva answer the questions of the film director Renata Litvinova.

An essay about the fate of a village woman, the weigher Shura Alekseeva, whose dreams help her survive in this difficult world. The eternal theme of the Russian woman, the Russian province and the everlasting expectation of love.

The ancient city of Soligalich, an open-air city-museum, seems to have frozen in space and time. . In the workshop, which stands on the site of a former church, women make felt boots by hand. The heroines of the film, imbued with powerful energy and natural artistry, are bright, strong and vital. As guardians of this ancient craft, they are the spirit and the backbone of the country and worthy of the brush of the best artists.

The film is available only on the territory of the Russian Federation.

In St. Petersburg, on Tramway Avenue, on which, in fact, trams never ran, there is a shelter for underage mothers. More girls, pupils of orphanages, who hardly remember their mothers, must now become real mothers for their own children.

Three Russian women in their 30s who all seek the same: security, a higher social status and eternal happiness. Not an easy wish to fulfill in today's Russia, where the patriarchy dominates. So our heroines take matters into their own hands and join a course in the art of seducing a man - preferably a rich one. Seven years of recordings paint a sometimes tragicomic picture of gender roles and femininity in Putin's Russia.

The film, consisting of eight parts, is fragments of Andrei Bely's biography scattered over time.

Three stories, three families, three women. Their husbands were passengers of the Tu-154 that crashed in Sochi on December 25, 2016.

One of the legends of Soviet television is Valentina Leontieva. One of the first TV presenters. She was called the All-Union "Aunt Valya". The peak of Leontyeva's fame came in the late 1960s - early 1970s, when she hosted the program "From the bottom of my heart" adored by the people. Leontyeva's story about herself in the film is illustrated by film and television footage, photographs of her personal archive. But even the most vivid memories of past glory cannot drown out the pain and longing. Valentina Mikhailovna appears before the audience in a dressing gown and slippers. The poor environment, the simple decoration of her home, and most importantly, the genuine sadness in her eyes and voice suggests that the once beloved and irreplaceable aunt Valya has been undeservedly forgotten.

As a result of a trauma received at birth, Vera Kazakova became disabled from childhood and, having lost the opportunity to move freely, it seemed that she was doomed to lead a reclusive life. But she managed to change the destined course of events. Vera found the strength not only to get a decent education, to give birth to a son, but also to actively fight for the revival of her small homeland.

This elderly woman keeps the economy of a large family. Yes, it cannot be otherwise, because she is a strong person, she survived the death of her husband, and persecution, and the change of eras, and the change of rulers. And a change of country. She is Russian, but she lived her life among the Kurds, in a Kurdish village in Iraq. Her life is now seen through the eyes of an unknown narrator, who has the voice of director Sokurov and comes from a clan of great narrators of Russian literary classics, including official Zaitsev and veteran of the Caucasian wars Maxim Maksimych.

Alina Makarova is a mother of six children, five of her own and one adopted. Her ex-husband is from Ethiopia, which is why all her own children are of mixed origin. Only her adopted son is white, but he is psychologically unstable. Alina's older children realise what complications the adoption might bring, and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing. The new boy really turns their life into trouble. Alina shows miraculous patience and pedagogical talents. Her children become her allies in raising the new son. This film is an epic panorama of a fight for love, an ode to motherhood.

Russian fairy tale about real people.

The film is based on the real diaries of the former Nord-Ost hostage Irina Fadeyeva, whose 15-year-old son Yaroslav was killed during the assault. These are her reflections on the tragedy that happened and her silent appeal to the Russian authorities, which hide the true cause of the death of the child.

The film is based on the love story of a Russian woman, Claudia Novikova, and a Japanese, Yasaburo Khachia, who was serving time in Stalin's camps on false charges of espionage against the USSR.

The mother of nine children tells her story. Together with her children, she runs across a large country from poverty, disorder and her husband. Runs and cannot stop in any way, because it is not so easy to find a place where you can survive. The main character is torn between children and work; the school where the younger ones study, and the wedding of the eldest daughter; understanding that with her children she is not needed by the country and others, and the knowledge that she needs children, and they need her, and only for this you need to survive.