The film is dedicated to the street war of anti-fascists and nationalists in the 2000s. The focus is on the musical preferences and political ideas of the participants in the conflict, who lost their health and lives in the bloody confrontation FA-ANTIFA. It was a subcultural war, the main front of which was music. It was led by very similar young people who did not fit into the social structure of modern Russian society. Now they have matured, and the activity of street confrontation has decreased. The main feeling indulged in by the characters of the film, named after the cult novel by Anthony Burgess and the film by Stanley Kubrick, is nostalgia, and after it comes a new understanding of the past years and an understanding of the enduring value of the main engine of conflict activity, youth.

Alexander Nikolaevich is very old. The war turned his whole life upside down. But he does not remember the war, and he does not remember insults, he remembers something completely different. He remembers gestures, hand movements, his hands. He forgave everyone. He is ready to shake hands with former enemies. Ready. But he can't. He has no hands. He lost them in the war.

The hypnotic everyday life of the artist Artur Isachenkov, the one hundred and second history of Zen, or the unbearable burden of quoting in the exterior.

The film was shot during the 2013 Amur flood. Postwoman Nadya delivers mail for the villagers suffering from the disaster. Features of the relationship of people living in the outback, far from the city and the center of the country, are manifested in the fight against the elements.

On May 9, at the Immortal Regiment procession in the mountain village of Mizur in North Ossetia, local residents came out with portraits of their warring relatives. One of the posters featured a photograph of an officer who died in March in Ukraine. 33-year-old captain Aslan Dzantiev was posthumously awarded the Order of Courage. On May 9, his family arranged a memorial ceremony, neighbors and relatives, according to the traditional Ossetian custom, prepared food and lit a candle on the grave of the deceased. In Caucasian families, men and women do not sit down together at the table and grieve differently, men make toasts and behave with restraint, and women cook food and do not hide their grief. Aslan Dzantiev grew up without a father and remained childless, his mother, grandmother and young widow mourn him at home.

This film tells the story of philologist and literary scholar Alexander Parnis, a legendary researcher of the life and work of Velimir Khlebnikov, and an expert on the Silver Age and Russian avant-garde. Thanks to Parnis, interest in Khlebnikov and the Futurists—who returned to Russian literary history after a long period of neglect—was revived in Russia. Our protagonist sought out people, recorded their memories, and spent countless hours in archives and libraries. He unearthed and introduced into academic circulation numerous texts published under pseudonyms and anonymously. Living an ascetic, nomadic lifestyle similar to Khlebnikov’s, Parnis was driven by his tireless, passionate, and charismatic nature, which fueled his devotion to his work.

A film about how the 2012 elections were held in a small town in the Murmansk region. Residents of Kandalaksha, the pearl of the Kola Peninsula, are trying to resist fraud by seeking protection of their civil rights in local courts.

Hairdresser Nadya Makarevich, by virtue of her profession, constantly communicates with women. Thanks to her cheerful and good-natured nature, clients tell her many interesting and reverent stories about themselves. The main essence of these stories is the longing for happiness in their personal lives.

Stories of relationships with men of two girls in love with each other.

On September 6, 1991, Leningrad was officially renamed St. Petersburg. In the same year, the Soviet Union collapsed and the modern history of Russia began. This film is a thirty-year history of the city and country, filmed with a video camera.

In August 2020, people gathered on the steps of the Belarusian State Philharmonic in Minsk to protest against electoral fraud. They held a poster “They stole our voice from us” and could only oppose the violence with Belarusian songs sung together. The Belarusian security forces drove them off the steps, but soon the choir began to unexpectedly appear at protest marches, in shopping centers and the subway, inspiring people with songs about the dignity, courage, fate and faith of Belarusians. Thus, one of the symbols of the Belarusian resistance “Free Choir” was born. During actions and concerts, the singers observed security measures and hid their faces. Hoping to intimidate the activists, the police detained the alleged conductors and band members several times. But the "guerrilla" choir continued their brave flash mobs. This greatly angered the authorities, they began a real hunt for the "Free Choir". People were fired from their jobs and put in jail for a day. Avoiding persecution, many of the participants were forced to leave Belarus. The history of the birth and activities of the "Free Choir" will be told by the family of musicians Alexander and Sasha Serdyukov, former employees of the Belarusian State Philharmonic. Seeking asylum abroad, they, along with thousands of Belarusians who have left, are asking the question, "Where is my homeland?"

The film was conceived as a story about the history of the Gogol Center theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a movie about a movie that couldn't be made.

In 2018, an agreement was signed on the transfer of Ingush lands to the Chechen Republic. The Ingush protested and fought for justice. After the next rallies in 2019, the criminal prosecution of the leaders and participants of the protest began.

The short documentary film “Lenin Square. Elista” is dedicated to the history of the main square of the capital of Kalmykia. Over the past 50 years, the square has undergone several significant transformations, each one symbolizing a new turn in history.

Krivoluchye is a district in Tula, but you can’t see a familiar city in this film, this is a reflection, partly mockumentary, about emigration. Andrei and Oksana have not seen each other for almost a year and are temporarily returning to their small town, from which both left. Geographical boundaries and the boundaries between the true and the invented are blurring while the characters are looking for the answer to the question “why leave or why stay”, if you can live like in a movie, directing this reality anywhere in the world.

Sasha from Yekaterinburg fled to Cyprus from heart troubles. A successful animated film director in the past, she is trying to find a comfortable position in a new country. Creative ambitions give way to the desire to earn money, live in comfort and "have freedom of movement." However, the Cypriot winter sun is unable to melt the cold in Sasha's heart.

A story about the sociological and social phenomenon of tracing from the most competent person, the author of the film Oleg Krasnyansky, the president of the Russian branch of the world association of tracers, those who bravely run on the walls, overcome various obstacles without any equipment and have already become the protagonists of the feature film "Yamakashi" by Ariel Zeytun. In the center of the "true story" are seven tracers and their way of life.

In 2012, in the very heart of the Yamal Peninsula, the Bovanenkovo oil and gas industrial complex started operating. Indigenous tribes of reindeer herders pass through this industrial area, because this is the only way to summer pastures, to the Kara Sea. This is the story of people whose destinies are closely connected with the lands on which they live and with the traditions of their ancestors, but their future and even the present becomes more and more fragile and unreliable with the advent of civilization.

The sculptor Oleg Nikolaevich Artemyev has been living in the Rostov nursing home for the elderly and disabled for three years now. Once in the boarding school, he continues to sculpt figures of people living next to him from plasticine. Every day, observing the fading life and suffering of the elderly around him, he creates in his works realistic images that make one empathize and arouse sympathy.

The protagonist of the film, a doctor in a district polyclinic and part-time creator of the promotional label BEZ Promo, cannot choose what to connect his future with, with medicine, or with organizing parties in Moscow clubs. Both seem to him an important mission. Both are serving people.