Sinara is a doctor — a gynecological surgeon. For hundreds of women, she is the last hope. Women from across the country come to her on the brink of despair. If she cannot help, who can? And Sinara does help — always. To preserve a patient’s chance to become a mother, she undertakes high-risk operations, giving women the possibility of motherhood.

Film experiment. This is the story of Mary. We watch her life in a house in which she has no memories yet. This is an attempt to listen to the body and tell a story at the level of physical memory.

The main characters live in their own separate world, where the best birthday present is a new animal skull for the collection, you can go to the supermarket in hoof shoes, and instead of a date, it’s much better to stay at home, play the guitar or cut a new extravagant suit.

Lyubov, the mother of the film's director, recently purchased a well-maintained country house. Her personal life did not work out, the children grew up a long time ago, there is a threat of layoffs at work, so she puts all her strength, free time and energy into repairing the country house, the last island of stability. But even here, things don't go as she planned.

A film about the Veleso Equestrian Drama Theater created by actor Yevgeny Tkachuk in a unique location near St. Petersburg. A team of like-minded people intends to bring to life a phenomenon of a completely new type, where there would be a synthesis of theatrical artistry and organic life-creation, therefore here the horses become full-fledged actors, uniting with human actors in free play.

The film-essay is dedicated to the German documentary filmmaker Colin Ross, who was born on June 4, 1885 and committed suicide on April 29, 1945. Enlightener, traveler, prolific writer, most popular journalist: for a long time cinema was not his main area of interest. But in the 20s of the 20th century, Colin Ross suddenly played a key role in G. W. Pabst’s film Secrets of a Soul, and later made four travel films, forever writing his name in the history of world cinema.

In a few years, you will stop watching blockbusters. And start filming yourself. How to grow from a viewer into an author? Experts in special effects, neural networks and the future in which you are a director tell.

How does the depiction of war change in times of smartphones and the internet? This documentary uses only YouTube material filmed by soldiers, journalists, civilians or war zone tourists to portray the absurd global theatre of war and its depiction through GoPro cameras, TV and VLOGs. A study of modern war aesthetics, the promotion of romanticizing and glorification of war.

Three short stories about people of our time. Natalia is a retiree whose dreams only came true when she came to Moscow with the intention of dying. Jason is an American with three children who settled in a quiet provincial town. Galina is an animation director whose dramatic experiences in her youth led her to make a spontaneous move to Moscow. For each of them, relocating became the starting point for a new chapter in their lives.

Passions have been boiling around the monument to the liberators of Riga for 20 years. Some advocate the demolition of the monument, others, on the contrary, defend it. The monument became a split point.

New music is written in bedrooms and kitchens, goes out on social networks, lives outside of formats and frames. Khamil, Mirele, Fedor Laryushkin and others tell why the music industry of the future is you.

Andrej Medvedev is the first Wagner mercenary who fought for Russia in Ukraine and fled to the West. He now lives in Oslo, is applying for political asylum, and says he wants to “find peace.” But he himself stands in the way of his integration in Norway, because despite his escape from Putin’s realm, Andrej remains a staunch Russian patriot. He has renounced Wagner and the war, but whether he will ever be able to leave his inner Russia behind is completely uncertain.

Two parallel worlds, merged into one, attempt to describe the human soul. The viewer follows the protagonist’s journey in a church and in a garage. In each of these worlds, life unfolds, comes to an end — and yet something remains beyond it. This film is an attempt to understand oneself and the human soul as a whole.

This is a film about the city of Yaroslavl and the people of Yaroslavl, as we generally know them, but we do not always recognize them. A city of metropolitan taste and style, with incredible creativity and seemingly inexhaustible creative possibilities. This is a picture about the city and the townspeople, about a very recent, but already forgotten history. These are memories of those political and cultural processes that took place in the city on the Volga 30 years ago, and in the 21st century revived seemingly dormant political activity.

Few dared to escape from the Narym exile. Death in slavery and death in freedom. She made her choice. For six months, she traveled one and a half thousand kilometers through the taiga and impassable swamps. The authors of the film repeated only part of her path, finding those who keep the memory of this time. The film is based on the memories of Euphrosyne Kersnovskaya. A unique chronicle of the Gulag, about two and a half thousand handwritten sheets and more than seven hundred drawings, tragic comics of the era. The book of her life, in which she answers the main question, How much does a person cost?

Interactive map of the cultural and social life of the regions. The team of the educational project "Open University" went on an expedition around the country to learn about the activities of Russians outside the capitals, from million-plus cities to villages and outskirts. The central theme of the Maps of Russia is civil society. The focus is on personal initiatives that can transform the environment, a rehabilitation center for drug addicts in Pskov, computer literacy lessons in Karelian in a village near Petrozavodsk, a program to save 19th-century port warehouses from demolition organized in Nizhny Novgorod.

The experimental work of a collective of 10 filmmakers pieces together the family videos of the participants and a sonic trip down the memory lane to the streets of Moscow in August, 1991. The events that brought about the end of the Soviet era become the reference point for the elusive reality of the next decade, documented by the people of the new Russia with their home cameras.

The rock band "Affinage" is gathering at their new rehearsal space to write the soundtrack for a movie that hasn't been released yet. The essence of this soundtrack is that it consists of different musical themes. Each theme song is about a band member. In the "throes of creativity" the characters have discussions, and opinions clash. However, the team skillfully uses the musical palette to characterize and reveal each other's personalities.

The film documents the first two weeks after Russia's attack on Ukraine. The main protagonist, Egor Lesnoy, is an environmental activist, blogger and influencer from Irkutsk in Siberia. His greatest love is Lake Baikal, where he free-dives under the ice in winter and clears the lake bottom and shores of trash with like-minded people in summer. Until February 24, 2022, he was full of hope for a better future. But on that day, his life changed entirely. He and his family stand pars pro toto for many, mostly young Russians, who do not support their country's policy and do not want to remain silent about the war of aggression. Despite the threat of imprisonment, they protest against it in the streets and in the media. Many are arrested, convicted and often ostracized by their own countrymen. Meanwhile, millions of people have left Russia. They leave their families behind, abandon their homeland. Yet most are ashamed to talk about their pain and anger. They feel guilty for their country, but they don't want to be portrayed as victims. Our film is an attempt to give these people a voice, to clarify their motivations and fears.

The story of Russian sign language, told through the story of a hard of hearing person Yulia Krygina, a teacher from Tula. The film tells about the social and cultural exclusion in which several generations of people with hearing impairments found themselves. The viewer learns about the strength, beauty and imagery of a language that was forbidden until recently. All the characters speaking in sign language are voiced off-screen by hard of hearing and deaf people, and the film is also accompanied by subtitles.