Lida is a modern, poetic, cinematic experience. By blending time and places – a narrative painting is created about a family love that only exist in memories. These are told in a timeless way by the main character Lida and her son and sister, mixing them, so that the characters can communicate with each other, regardless of the miles and hours separating them. Lida is an old Babushka, who is the last Old-Swedish speaking person in a former Swedish settlement from the 18th century in Ukraine. Lida is about the cycle of time and a community with a unique language disappearing.

One fine day, his life became one continuous rehearsal, endless runs 50 times a day, vocal exercises and the pursuit of the ideal. And here is the scene of the main vocal project of the country. He went to this for more than one month. Star jury, cameras, Yuri Aksyuta somewhere at the director's console, and a chance to become a member of the Voice show. Dozens of vocalists from all over the country pass this way. But what's next?

A film about loyalty, about love, about life. About a Russian woman, about her character.

Two teenagers go to Fryazevo on train, but the road turns out to be more important than the final destination, they meet with their own fears on the way.

On the eve of the celebration of the Victory in the Great Patriotic War, the authorities are weakening the mask regime as part of the pandemic. On Red Square in Moscow, everything is being prepared for the holiday, which was originally supposed to be cancelled. Parallel to these events, the country is preparing for the planned elections on constitutional amendments.

A film about a big family and a cozy bathroom.

"Don't Stop Me from Crying" is a film about a challenging period in a teenager's life—when everything feels overwhelming and scary: the pressure of the State Exam, the fear of disappointing parents, the confusion of figuring out if you truly love someone, even the struggle of learning how to wear heels. All these issues make you want to cry... But what are we, as adults, supposed to do with these tears? The film's protagonist, Christina, offers us the answer.

Love thyself. This is the life credo of Zosia - a photographer, traveller and free spirit. Going round the world in her camper, she uses photography to make other women comfortable with nakedness and teaches them to love their own bodies. In front of her lens stood women who experienced eating disorders and did not accept their looks. Zosia, who has no place of her own on Earth, has been on the road since she left school at the age of 18. Freedom is a priority for her but loneliness and longing for love may sometimes jeopardise her travelling plans.

A short diary-like film about a significant step toward one’s own feelings. It is made from what is usually cut out, never shown, and certainly never deliberately filmed.

A person, immersed in watching an old film, finds himself in a different place and a different Time. And the past revived on the screen begins to live its own life.

"There's a wind between me and you." Chronicle of a madness.

The desire of a small person to break out of his prejudices, complexes, fears is faced with the inevitability of immersing the vast world into quarantine.

"Moments When We Freeze" is a hybrid experimental film which combines elements of documentary and fictional filmmaking in an attempt to tell a story of one broken Ukrainian family, who hasn't yet lost their love for each other, their sense of humor, and the desire to be connected. And so, we decided to reenact a scene that is rooted in a 40 year old photo found in our family archive. With the help of video-calls, my parents co-wrote and co-directed their own past using their contradictory memories as a guideline, and I reenacted it while being years and kilometers away from the original event.

This video has taken the internet by storm. It is no secret that migrants from Central Asia (Uzbekistan, Tajikistan, Kyrgyzstan) come to Moscow to work. Ohmuri conducted a poll among Muscovites about how they feel about guest workers, and also talked with the guys themselves who come to Russia to work, about how they live in Moscow, do they miss their homeland, do they face such a phenomenon as nationalism and why Muscovites call them "third-class people"?

Film diary. The way from Moscow to Vladivostok along the Trans-Siberian Railway.

Among the city of metal boxes any product or service can be found. The biggest market in Central Asia, Dordoi bazaar, is a workplace for over 150 thousands people. They trade, eat, pray and live there. The film portrays the place as the main character through fragments of its inhabitants. It allows viewers who are unfamiliar with the bazaar atmosphere to experience one. At the same time the bazaar serves as a metaphor for a broader kyrgyz society.

Tattooist? Tattoo master? Is this a profession or a hobby? The protagonist, a tattoo artist from the province, tells how he came to tattoo.

The film is composed of short story-monologues from three women, each reflecting on the twists and turns of their lives. The first, raised in an intellectual yet tyrannical family, discovers true self-realization only after the birth of her son, who has developmental challenges. The second leaves behind a successful career as a civil servant in a ministry to become an erotic dancer. The third shares the difficult journey of coming to terms with her child's life choices, which never fit into traditional norms from an early age. These unconventional real-life stories challenge the viewer to question: what is "normal," and should it dictate a person's fate?

The village of Avnevi was one of the largest Georgian enclaves in South Ossetia. After the war, when all the Georgians left, the Ossetians burned Georgian houses so that the Georgians would not return. There are only two houses left in Avnevi. Durmishkhan lives in one of them. Now he is 78 years old. Durmishkhan is Georgian, his late wife Zalina was Ossetian. Their son was killed by his comrade because of the girl, but during the war it turned out to be very easy to do, because human life was completely devalued. Both of their daughters left for Georgia in 1992, their grandchildren and great-grandchildren were born there. Durmishkhan never saw them. Only two years ago, when Zalina was dying of cancer, her daughters illegally crossed the border to see their parents. A day and a half later, Ossetian border guards appeared on the threshold, one of the neighbors reported. The daughters were taken back across the border. Zalina died two days later. Durmishkhan does not have a passport and has never left Avnevi. It seems to him that he will never be able to go to his daughters in Georgia, he is afraid that his former Georgian fellow villagers will recognize him and kill him as a traitor. And why go, he says, Zalina, with whom he grew up together and whom he loved since childhood, died, and all that he had left was her grave and the grave of their son. The film was shot as part of the War|Peace project dedicated to the 10th anniversary of the August 2008 war.