A young horse with a hooligan character settled in a family where there are already three sons, and the mother is pregnant with the fourth. The father of the family is trying to cope with the restive horse and life. But the mother truly keeps the family, whose talent for painting is increasingly drowning in the cares of the household courtyard. The only outlet for her is the horse Luna, which personifies the youth and lightness of a girl, erased by years of marriage and peasant life. A yoke and a cart are also waiting for the moon, but is it so easy to handle this horse?

Who would have thought that in the year of its 100th anniversary, the National Drama Theater named after Ya. Kupala would be on the street due to upheavals in their native Belarus.

Lena hides not only her real name, appearance, but also the source of income from her mother. She did not fit into adult life, and became one of those who own the central bridge at night between Victory Square and the circus. The conversation with her was filmed several years ago as a reflection on the next financial crisis, but, unfortunately, is still relevant.

The situation with the densification of large cities, painfully familiar to many, is shown in this film from the perspective of an 8-year-old girl, her family, and pets who live in an old semi-detached house. The street where the house is located is determined for demolition. The inhabitants of the entire street QUIETLY protest.