If architecture is "frozen music", then the facades of houses are its score. Exploring the architecture of the post-Soviet space, from wooden architecture to baroque and classicism, from modern to Stalinist and Khrushchev architecture, which continued in modern areas of panel buildings, we are trying to understand how this centuries-old symphony could sound and look like. We find that irreconcilable conflict of personality and mass, unique and typical, which is reflected even in the "stone".