The riveting story of Yuri Dmitriev is a tale of one man’s fight against the erasure of history by the Russian state. Deep inside the Russian forests, against the wishes of the authorities, 60-year-old Yuri Dmitriev searches for mass graves from the era of Stalin’s terror against his own people – until one day he is arrested and sentenced to 15 years in a penal colony. The film paints a shocking picture of the way the Russian state rewrites history and treats its citizens.

The plot of the 7-episode documentary cycle "Brotherhood of the Bomb" is based on the history of scientific research and searches that led to the creation of atomic and hydrogen weapons. The picture covers events from the discovery of the phenomenon of radioactivity by Pierre and Marie Curie, the first experiments and studies of Rutherford, Bohr, Fermi, Heisenberg, Einstein, Oppenheimer, Kapitsa, Semenov, Landau and other scientists to the testing of the Soviet hydrogen bomb on Novaya Zemlya in 1953. Who will be the first to test the "super bomb"? Who will emerge victorious in this monstrous competition? The film tells how this tacit competition went, in which, fortunately, there were neither winners nor losers, but a new brotherhood of physicists was born.

In a cottage at the outskirts of a small village surrounded by the Altai Mountains there's a family rejected by the local community. Little by little we learn about their secrets. The story is haunting and it's difficult for the viewer to remember this is a documentary film. The attractive Russian surrealism turns out to be real life. The film was made under „Russia and Poland. New Gaze” project, 1st edition. The project was realized by Eureka Media and Adam Mickiewicz Institute with financial support of Polish Film Institute.

A film about twelve St. Petersburg teenagers who were convicted of criminal offenses under various articles, but received a pardon and their real terms were replaced with conditional ones with the obligation to live in a social rehabilitation center.

Igor S. Kon was a prominent Soviet and Russian sociologist, psychologist, and educator. He pioneered sex education in the USSR, worked extensively with teenagers and queer people, and supported those affected by the HIV epidemic. Despite living through times of repression and censorship, Igor S. Kon never gave up his scientific and educational work, and defended the ideas of individual freedom, equality, and tolerance until his final days.

The author defines the genre of the picture as a film novel. A very personal story of pride, betrayal, disappointment, and the beginning of a new life. Russia. 2007. Presidential elections are to be held exactly one year later. The political opposition is determined to take decisive action and dreams of taking power into its own hands. But politics in the film is just a background, an environment in which the main characters exist. The film is not about politics, but about people in politics and politics in people. For the heroes of the film (and they are, in fact, the archetypal characters of Russian history, carriers of the "virus" of the revolution), this year is a test and a starting point for a new life.

The director set up an experiment on his own son, he filmed the moment when two-year-old Svyatoslav saw a mirror for the first time in his life.

Memories. Painful memories. The film is a journey. It is enclosed in three conditional spaces, namely, a hostel for internally displaced persons, abandoned in an empty field, who exist outside the present and future, with a torn, burned past. Twilight cold Moscow with a Chechen guy wandering through its streets, the vocalist of the Dead Dolphins group, Artur, who remembers his once beloved city, but does not want to return and see the place where his house used to be. Emaciated, abandoned by the souls that once inhabited it, the city of Grozny, in which, for the first time after the war, a Russian girl comes to see her home, return to her childhood and "die in it", saying goodbye to him forever for all those who have lost his home and country.

An essay about the fate of a village woman, the weigher Shura Alekseeva, whose dreams help her survive in this difficult world. The eternal theme of the Russian woman, the Russian province and the everlasting expectation of love.

The Nenets live in three worlds. The lower world is where the north is, the upper world is where the south is, the middle world is the road. Yaptik-Khese is the spirit of the Yaptik family. He is carried on sacred sledges and is not shown to anyone. His home is the road. While Yaptik-Khese roams, there will always be deer, dogs, Nenets on the ground.

2022. gada 24. februārī Jevhens kopā ar draugiem atgriezās frontes neatliekamās medicīniskās palīdzības brīvprātīgo bataljonā, kurā viņi dienē kopš 2014. gada, sniedzot pirmo palīdzību un nodrošinot ievainoto evakuāciju no frontes līnijas. Filma atsedz kara pirmajā pusgadā pieredzēto – seši mēneši, kurus caurvij drāma, izmisums, bailes, naids, rūgtums, mīlestība un galvenais – ticība uzvarai. Dodoties uz fronti, filmas varoņi aizsūtīja savas ģimenes uz ciemu Ukrainas rietumos. 2022. gada augustā viņi visi uz pāris dienām tiekas šajā idilliskajā vietā, lai nokristītu viena filmas varoņa deviņus mēnešus veco dēlu. Tieši no svinību mielasta puišiem jādodas atpakaļ uz fronti…

You can forget. You must forget. But it's impossible to forget. What does a woman think and feel 5 minutes before an abortion? The tape was awarded the prizes of the festivals "Window to Europe" (Vyborg) and "Message to Man" (St. Petersburg) as the best short film.

"Home Games" is a broken fairytale depicting a crucial moment in the life of Alina, a 20-year-old "million dollar baby" from Kyiv, whose passion for football has a chance of saving her from poverty.

White winter blizzard covers everything. We can rely now only on saints, on our prayers. The future has sailed away, with us left behind. Astray, we did not board the magic ship. The task at hand is simple — not to perish in the fog, not to die from the cold, not to get trapped under the ice. Not to fall in our own snares. Or are we all in one big trap anyway? Running around in a small circle, counting those who vanished.

The film is about two twins who spent their childhood in the forest on the cordon and saw other children only at the age of seven. They know everything about nature and birds, but have a poor understanding of people and society.

Wukwukai is 72 years. For 72 years he has been living in the depths of Chukotka. This is a powerful and wise old man, a man of the Tundra, his life is inseparable from a deer. The Wukvukai clan herds a huge herd, more than 14 thousand heads. The life of the clan is a constant struggle for survival and well-being in the most difficult conditions of Chaun-Chukotka. These people deeply believe in the power of tradition and therefore are successful in their struggle. They are kept by the ancient culture of the Chukchi reindeer herders, they live by it and preserve it. As long as this is so, their world is unshakable. This is the truth of old Wukwukai.

This film is the fourth part of a large-scale film observation of the fate of people whom the authors filmed at the age of seven, fourteen, twenty-one and now, when they are 28. They live in different countries and even on different continents. They have different upbringing, education, eye shape, different religious views. Or they don't exist at all. Who are the heroes of this documentary saga? Who became those people who have the stamp of the now non-existent empire of the USSR in their birth certificate?

What is going to happen if the painting of the great Dutch artist suddenly comes to life in a half-abandoned Russian village?

The inscrutable ways of the inhabitants of the Russian provinces can lead to something important for everyone.

The film crew goes to the small town of Arvay on the edge of the Gobi Desert. In 1986, there was a Soviet military base here. And very close to this base, on the mountain, the military laid out the date from slate. It can still be seen on the map.