The film reveals the mechanism that entices human beings to voluntarily turn themselves into submissive, faceless creatures. Thus, they become a resource to be used by the state – a grey lump of ore oblivious to the innate value of their individual life. The town of Apatity first came into being as a concentration camp. Today, 50 years is considered a ripe old age in the industrial town of Apatity, while the environment is at the brink of an ecological disaster. The adults while away their lives at the factory bus stop whilst the children – the token of their immortality – miss out on family life and warmth. Instead, they are left in the care of state structures that inculcate in them the traits of prisoners, making use of celebration-like dancing and marching trainings. Neither the children nor their educators are aware of this. They are convinced that they are bringing up a generation of patriotic heroes, fated to become legionnaires of the Earth and the adjacent cosmic expanses. The only way out of this system is death. However, if you die for the state you become an immortal hero. The dancing and marching fall into the conveyor-belt rhythm of the moving trains, full of grey lumps of ore that are also destined for immortality: they will become phosphorus fertiliser on which new life will grow. Film website: https://immortal.ee

A documentary about the life of an eight-year-old schoolgirl Gin-mi in Pyongyang, the capital of the DPRK, shot by a Russian filmmaker in a script written by North Korean comrades.

The history of a family. The history of the country. Ukraine 2014–2015. Director of the movie, Vitaly Mansky, was born in Ukraine, and, after finishing his studies in VGIK, he lived and worked in Moscow. His family still lives in Ukraine, and because of the Russian-Ukrainian military conflict, his family members had to make a choice, which resulted in some of them becoming sworn enemies. This film reveals different aspects of the conflict, focusing on the situations faced by an “ordinary” person, as well as examining different views of the world, so that the spectator can look deeper into the roots of these tragic events. At the same time, the interviews made by the director – conversations with relatives –reveal the feelings and views of these people but also provide an insight into the history of Ukraine and preconditions of this conflict. The film shows how the conflict caused hatred among the citizens of the same country. Close Relations is the most personal movie made by Vitaly Mansky.

The events of the film begin on December 31, 1999 when Russia was acquainted with its new president. The film is based on unique and strictly documentary testimonies of the true causes and consequences of the operation "successor", as a result of which Russia ended up with the president who still rules the country. The protagonists of the film are Mikhail Gorbachev, Boris Yeltsin, Vladimir Putin, and the Russian nation, as always being a silent witness of its own destiny.

Internet-premiere of the film took place on the 12th December 2018 at the Artdoc.Media online movie theatre.

Petr Pavlensky, artist and activist, is in the vanguard of forging social change in Russia. Through an array of courageous performances, he acts as society's conscience in the face of an increasingly totalitarian state. From lying naked in a coil of barbed wire, to nailing his scrotum to the floor of Red Square, his acts of defiance aim to spark debate and catalyse reform.

A story from the very center of events about the birth of a new country, the Donetsk People's Republic. Filming took place over six weeks from April to May 2014. The camera follows 300 revolutionaries who took over the building of the Regional State Administration in the center of Donetsk and declared the independence of the region. The revolutionaries see themselves as the saviors of their people from the bloodthirsty fascist government based in Kyiv. This is a story about how to make a revolution and what happens after that when you get the power. The heroes of the film are Andrei ("Lenin"), who leaves home and mother to change history; the speaker of the new government, Vladimir, and the head of the internal anti-corruption security service, whose task is to capture and interrogate traitors, fascists and enemies of the Revolution. When the heroes believed they had won, their fates abruptly changed course.

The riveting story of Yuri Dmitriev is a tale of one man’s fight against the erasure of history by the Russian state. Deep inside the Russian forests, against the wishes of the authorities, 60-year-old Yuri Dmitriev searches for mass graves from the era of Stalin’s terror against his own people – until one day he is arrested and sentenced to 15 years in a penal colony. The film paints a shocking picture of the way the Russian state rewrites history and treats its citizens.

A documentary about military pilots who had to make a difficult choice. With the collapse of the USSR, their regiment, along with the Crimea, went to Ukraine. Take an oath to a new country for the second time or leave your native airfield to the north, leave your apartments and even your family? But what if the plane of the former Soviet republic is in the sight? How to fight against former fellow soldiers? The recent tragic events and air raids in the Donbass, as well as the annexation of Crimea to Russia, again forced the pilots to think about these issues. The film received the Grand Prix at the Open Documentary Film Festival "Russia" - 2016.

This film is about Alexander Orlov, a resident of Soviet intelligence, who disappeared without a trace in Spain in 1938. For more than thirty years, “KGB militants” have been looking for him in order to destroy a man who was involved in most major world operations, in particular, in the export of all gold reserves from Spain to the USSR and the development of an operation to destroy Leon Trotsky.

The plot of the 7-episode documentary cycle "Brotherhood of the Bomb" is based on the history of scientific research and searches that led to the creation of atomic and hydrogen weapons. The picture covers events from the discovery of the phenomenon of radioactivity by Pierre and Marie Curie, the first experiments and studies of Rutherford, Bohr, Fermi, Heisenberg, Einstein, Oppenheimer, Kapitsa, Semenov, Landau and other scientists to the testing of the Soviet hydrogen bomb on Novaya Zemlya in 1953. Who will be the first to test the "super bomb"? Who will emerge victorious in this monstrous competition? The film tells how this tacit competition went, in which, fortunately, there were neither winners nor losers, but a new brotherhood of physicists was born.

History of the twentieth century. View from the village. The path of the Russian peasantry in time and space from pre-revolutionary Cossack villages and rich Siberian villages to the taiga Ural villages, to the peasant Gulag, with children and the elderly, to certain death. The authors of the documentary trace this tragic Odyssey from the manifesto of 1861 to the beginning of the Great Patriotic War. They offer society a different view of both the pre-revolutionary Russian village and the civil war, which, in their opinion, was not a war of some reds with some whites, but a war of the state against the peasantry, with its people, because the peasants at that moment made up 80 percent of the population. What was behind this unprecedented attempt in history to destroy 10 million of the best, most talented people of the village?

A documentary study of the circumstances and course of the drama that unfolded in the second half of the 1930s around the project to create in the USSR "Soviet Hollywood", the center of the film industry in the image and likeness of the American "dream factory". A drama in which human characters, ideological conflicts, and the spirit of the era were clearly manifested.

A documentary cycle consisting of 4 films, "Operation" Tora Bora "," Dormitory "," Binom Drozdov "and" KGB. Legends of "Vympel", tells about the history of the most secret special forces group in the USSR "Vympel". It was a unique reconnaissance and sabotage unit, which differed from all the world's similar groups in that it was created in the structure of foreign intelligence.

One of the series of the cycle dedicated to the tragic fate of the intelligentsia of Petrograd (Leningrad). This series is about the trials of the late 1940s and early 1950s against party and state leaders. The victims of repression were all the leaders of the Leningrad regional, city and district organizations of the Communist Party, as well as almost all Soviet and state figures who, after the Second World War, were nominated from Leningrad for leadership work in Moscow and other regional party organizations.

As Russian children are preparing to become soldiers…

A film that tells the story of American journalist Walter Duranty, who worked from 1922 to 1936 as New York Times Moscow bureau chief. Duranty knew the truth about the massive famine deaths in the Soviet Union in the 1930s. But he was silent about it. And he even issued a refutation of information about these deaths leaked to the Western press.

Moscow, USSR. 1930. The Pillar Hall of the State House of the Unions. A group of top rank economists and engineers is put on trial accused of plotting a coup d'etat against the Soviet government.

It's alleged that they made a secret pact with the French Prime Minister, Raymond Poincare, and with other Western political leaders, aiming to destroy the Soviet power, restore capitalism and break up the USSR. All charges are fabricated and the accused are forced to confess to the crimes they never committed. The court, presided by Andrey Vyshinsky, who later became known as the diabolical prosecutor, key-figure in Stalinist show trials and the advocate of mass repressions, delivers death verdicts.

Unique archive footage reconstructs one of the first show trials, masterminded by Stalin, which unfolds as a theatrical performance with actors - prosecutors, witnesses, defendants, judges - lying to themselves, to the audience and to the world. The drama is real, but the story is fake. The film gives an unprecedented insight into the origins of a deadly regime, which made the slogan "Lie is Truth" its everyday reality.

In the forests between Moscow and St.Petersburg 10.000 young Russians are preparing themselves for a heroic future. Their aim is to make Russia the global leader of the 21st Century. They are the choses ones of Russia: the future managers and politicians of the country. As the only outsider, Daya Cahen was allowed to film extensively inside the summer training camp of Vladimir Putin’s radical youth movement “Nashi”, known for breaking up anti-Putin demonstrations and using violence against Putin’s opponents.

My Perestroika follows five ordinary Russians living in extraordinary times – from their sheltered Soviet childhood, to the collapse of the Soviet Union during their teenage years, to the constantly shifting political landscape of post-Soviet Russia.

The film covers the period of the history of Russian cinema from 1918 to 1925. Until 1921, private firms remained in Russia, which continued to make films. But in parallel, in 1917, state film production began, which was organized by the Moscow and Petrograd photo film committees.