Twelve years ago Anya and Zhenya had a daughter, Nadya. They were very young, and their life soon became a problem. Zhenya ended up in jail, and Anya and Nadya ended up living with Zhenyas family. During the twelve years that have passed, Anya has done quite a lot of changes in her own and Nadya’s life, some of them involving Zhenya. The first time Zhenya went to jail – for beating Anya – he didn’t have to stay that long. But the second time he was sentenced to four years, for rape. During most of the twelve years Anya has worked with Zhenyas mother in their shoemaker’s workshop. Zhenyas father, a retired policeman, has come and gone in the shop, taken care of his granddaughter, but also had a relationship with Anya. When Sasha, Zhenya’s father, beats Anya and ends up in prison, Anya finally leaves Zhenyas family. She has divorced Zhenya and has found a new man, with whom she and Nadya lives. "Once There Was Love"is the final piece in the multi-award winning trilogy chronicling a tale of a one-time middle class Russian family whose life is slowly coming apart at the edges. Covering the 12 years since the birth of baby Nadya, this film builds upon the previous films, including the Prix Italia-winner "I Love you Natasja", and offers a dramatic story from small town Russia.

Not far from Grozny, an old steam locomotive with several wagons attached to it stands on a siding. The locomotive provides steam, hot water in the boilers, and a bathhouse is equipped in the cars, where soldiers and officers wash and wash their linen. A washing station on wheels is both a soldier's bivouac, and a piece of peaceful life, and the beginning of a new road.

In Siberia, Russia, Alexander Kuznetsov follows Yulia & Katia who went from an orphanage to a neuropsychiatric institution. Deprived of freedom, work and family, they had no say in it and getting those fundamental rights back is a long and painful bureaucratic process. "We'll be alright" is their path to freedom.

Yulia is sixteen, she lives in a barracks. And Vanya is with his parents in a five-story building. Julia is expecting a baby, and Vanya's parents are against the misalliance and do not let the couple on the doorstep. "A monstrously real movie about love," as the director himself defines "Mommies." It can be said that this film inherits the Russian literary "natural school", the whole "physiology of Russian life" is presented in such detail in it. But you can also interpret it as a terrible fairy tale, because it is all a metaphor for Russian life.

A film about life, about death, about people who have come close to the border between the first and the second. And about love, the brightest manifestation of life.

According to a drunk, middle-aged woman who always wanted to be an actress, "Happiness is when someone understands you, when someone loves you." Her equally inebriated boyfriend is so jealous that he smacks her time and again. Director Alexander Rastorguev follows the tragicomic couple during their summer holiday by the sea. But he also directs his camera at other seaside visitors, like the man earning a living on the beach with a camel, a young womaniser, and a dwarf getting married to a young woman. They are all spending the summer on the eastern coast of the Black Sea. Rastorguev observes man in all of his manifestations: fat, thin, young, old, drunk, dancing, singing, having sex and bathing in mud or in the sea. Even President Putin makes an appearance, clad in casual clothes. Quite a few fortune-seekers at the resort get caught up in a daily carrousel of sex, booze and aggression. When a corpse washes ashore, several people say they would also like to drown in the sea. It is no surprise that the soundtrack repeatedly plays a song of longing, about a small boat all alone at sea: "What is it looking for so far from home? Not happiness, but a typhoon."

This film was shot without a single cut, hidden camera in the Puppet Theater. For 10 minutes, the child watches the performance and the whole gamut of feelings is reflected on his face, from jubilation to absolute horror. In just 10 minutes of an ordinary theatrical performance, a 5-year-old boy gains a huge life experience... An absolute classic of non-fiction films.

What is it like to be HIV positive in Russia? The authors of the film spent several days with HIV-infected heroes Alexandra and Oles and made a film about how they live. This is a kind of chronicle. The heroes in the frame live their lives. Minutes of sadness, moments of joy. They live the way they can and how they really live.

An 80-minute episode of military everyday life in Ukraine, filmed in one frame.

The director set up an experiment on his own son, he filmed the moment when two-year-old Svyatoslav saw a mirror for the first time in his life.

The earthquake began on December 7, 1988. No one could yet understand what had happened, but suddenly, at one moment, the telephone connection of the Armenian capital with Leninakan, Spitak and a number of other small towns and villages was interrupted. The entire north of Armenia has practically fallen silent, and this is 40 percent of the entire territory of the republic with a population of one million people. This film is about the life of ordinary people 13 years after a terrible disaster.

My neighbor is an ordinary person. But after all, if you observe a person long enough, he ceases to be simple, ordinary. I filmed this film from the window of my apartment for several years. Filmed a neighbor and his beloved old car, to which he is endlessly attached. And in the end, unexpectedly, a movie turned out not about a specific person, but about life in general.

This film is about Alexander Orlov, a resident of Soviet intelligence, who disappeared without a trace in Spain in 1938. For more than thirty years, “KGB militants” have been looking for him in order to destroy a man who was involved in most major world operations, in particular, in the export of all gold reserves from Spain to the USSR and the development of an operation to destroy Leon Trotsky.

The inscrutable ways of the inhabitants of the Russian provinces can lead to something important for everyone.

90s. Two homeless people live on the street. He is a former musician, she is a former journalist. They consider themselves happy because they love each other. The problem raised by the author touches upon the global themes of the meaning of human existence.

The Nenets live in three worlds. The lower world is where the north is, the upper world is where the south is, the middle world is the road. Yaptik-Khese is the spirit of the Yaptik family. He is carried on sacred sledges and is not shown to anyone. His home is the road. While Yaptik-Khese roams, there will always be deer, dogs, Nenets on the ground.

The film takes place during the Ukrainian events on the Maidan, in the Crimea and in the Donbass. The main character is a Chechen Ruslan, who once fought for the independence of Chechnya, who went through armed conflicts in Abkhazia and Tiraspol. He came to Ukraine to continue his confrontation with the Russian authorities.

Members of the Society of Amateur Canary Breeders are all male. On Sunday afternoon, they come to Moscow from different parts of the country, united by a single desire to win a canary singing competition.

War correspondent and writer Vyacheslav Nemyshev is a typical representative of the generation of people affected by the Chechen war. Having visited the war 27 times, he was no longer able to adapt to normal life and "escaped" to Kamchatka. Vyacheslav filmed this experiment on himself with a video camera for two years in the hope of finding an answer to the question of how to get rid of the nightmare that the war gave?

Peninsula Kamchatka. 2000 inhabitants of a small village are cut off from the outside world by kilometers of impenetrable swamps and mountain passes. They are connected only by regular flights of all-terrain vehicles that deliver products to the village. And here again, two drivers on their old all-terrain vehicles are on the road. This is their life, their destiny, their destiny. Their run No. 31.