One for the whole village, or unauthorized isolation. The last inhabitants of the village of Olkhovka in the Tuimazinsky district. Such heroes were previously only in Soviet cinema. But the difference is that these are not actors, but real people. So original, living in some kind of amazing unity with nature. And they do not play, but live, sincerely and generously share their emotions: cry and laugh, inspire and charge with their incredible energy, desire to live.

The director of the art space, after closing, is trying to cope with the state of emptiness and leaves to work in archeology.

A documentary film-study about the most turbulent period of Russian geographical discoveries, when for only 40 years, from 1632 to 1672, the last white spots were filled on the world map and all the lands of the future great empire were plotted for the first time, a significant part of which is located on the territory of the modern republic Sakha (Yakutia).

Having learned about her "indecent" diagnosis, Marina begins to look for answers to her questions. Fearing public disclosure of the diagnosis and condemnation of others, Marina writes all her thoughts in her diary. But one day the secret becomes clear.

The world of the protagonist is huge, in it she finds everything she needs, love for the cause, to which she seems to be destined. But there is no place for other people in this world.

Sima will soon be 20, she grew up with her grandmother and did not know her father, who was a famous hippie. Sima goes in search of information about him.

The film tells about a St. Petersburg artist who is working on the main work of her life.

The film is dedicated to two cameramen and one director, Verigo-Dorovsky, Leopold and Friedrich, and Alexander Vladychuk during the period of silent cinema. Leopold is the grandfather of the author of the film, and Friedrich and Alexander are cousins. The life of the Verigo-Dorovskys began with the fact that their grandfather, Jan, was deprived of the nobility during the Polish uprising, although they were Germans. Later, their grandchildren, Leopold and Friedrich, came to Moscow. Here they studied at German educational institutions, and then became cameramen. They own the shooting of V. Lenin and a number of art paintings. Alexander Vladychuk was an artist, he shot several documentaries and one feature film, "White Gold", in Turkmenistan. With this he came to Leningrad. In Ashgabat, Vladychuk will be removed from the cinema. He erected a monument to Lenin, carried out an endless run with the team on the wheelpedes of his own design Ashgabat-Moscow. His hand belongs to the Coat of arms of Turkmenistan. Then, he will be put in jail for libel. He died there in 1942.

Cosmos and Paleontology is a visual essay on Ivan Efremov (1907-1972), a Soviet paleontologist and science fiction author. Before the 1957 launch of Sputnik—the first man-made object to orbit the Earth—Efremov had already written about humans traveling through interstellar space, recovering fossils in galaxies thousands of light years away. Cosmos and Paleontology interweaves this farseeing prose with archival and present-day material of persons, objects, and locations related to Efremov, such as the Paleontological Institute in Moscow, where he penned several short stories and novels. Cosmos and Paleontology explores Efremov’s ideas of deep space and deep time, combining prehistoric skeletons with cosmonaut relics, footage of dinosaur excavations in the Gobi Desert with Soviet cinematic adaptations of future space travel. At its core, Cosmos and Paleontology is a journey with a man who envisioned ancient Earth and the far reaches of the universe alike, defying the known limits of primordial life and death both in this planet and beyond.

Every new year a crime is committed! From year to year, sacrifices are made in favor of the pseudo-ancient ritual. Young, beautiful, promising are destroyed and betrayed. Infantile and viciously thrown into the trash.

Film-portrait of the writer-sailor Viktor Konetsky.

A young rural paramedic comes to work in a village in the far region of Russia.

Vladimir Martynov is a composer-philosopher, one of the first Russian minimalists, whose texts and music are inextricably linked. He says that more can be expressed in a few repetitive and only slightly changing patterns than in a work familiar to the traditionalist ear. He enters into a dialogue with young performers of electronic music. What will come out of this experiment? Each speaks of his own experience, in which sound, its form and its change, are common.

The story of Konstantin Sergeevich Stanislavsky, the genius of the theater of the 20th century, who, thanks to the strength of his talent, was able to remain a real artist and an internally free person within the rigid Soviet system. The protagonists of the film, contemporary theater and film directors, including Kirill Serebrennikov, Cathy Mitchell, Lev Dodin, Anna Strasberg and others, show how the Stanislavsky method affects their daily work in theater and cinema.

"The berserkers, dressed in bearskins, growled, shook their swords, bit the edge of their shield in rage and rushed at their enemies. They were possessed and did not feel pain, even if they were hit by a spear ... They killed people, and neither fire nor iron did not harm them. Such warriors were called berserkers." (from Norse mythology)

The cartoon tells about the events that took place a hundred years ago. In February 1921, in the House of Writers in St. Petersburg, a solemn meeting in memory of Pushkin was held on the 84th anniversary of his death, this event gathered the entire literary Petersburg. In the cartoon, the participants of the event talk about how it took place and why it was significant.

Walk in the Moscow selective second-hand shop "Okno". The characters talk about the history of the project, about its development, about the fact that Okno is already a kind of way of life, and how, in the conditions of the new time, it is possible to unite different people in one place.

Learn your native language like a foreign language. This could be a story about emigrants and settlers, but no, this is a story about the Vepsians, the indigenous people of the Republic of Karelia. The author, a Russian-speaking native speaker of the Vepsian language, answers the question, why do we need a native language?

The most sought-after Russian screenwriter Nikolai Kulikov does stand-up, jokes about family and death and is looking for love.

Reflection on life in the Russian village of a Russian person, on his fate and choice. Humility or Acceptance? How do people who have already outlived their lives feel? Did they succumb to the tide, or did they create their own destiny?