A film about the life, games and everyday life of a 7-year-old girl from a dysfunctional family living in a forest near a big city. And, as little Milana finds out, from a normal life.

Ten-year-old Oleg lives in the eastern part of Ukraine — a warzone that often echoes with anti-aircraft fire and missile strikes. Sometimes these sounds are in the distance, while other times they’re frighteningly close. While many have already left this dangerous area, Oleg remains with his grandmother, who has taken care of him since the death of his mother. They have nowhere else to go. While waiting for the war to end, Oleg enjoys hanging out with his younger cousin Yarik and an older boy Kostia. Together they go on adventures, talk about what makes a real man, test each other’s boundaries, but sometimes they go too far. This observational film follows a year in the life of Oleg and emphasizes the warm bond he has with his grandmother. By sticking close to Oleg, The Distant Barking of Dogs shows the effect of conflict on children.

The film reveals the mechanism that entices human beings to voluntarily turn themselves into submissive, faceless creatures. Thus, they become a resource to be used by the state – a grey lump of ore oblivious to the innate value of their individual life. The town of Apatity first came into being as a concentration camp. Today, 50 years is considered a ripe old age in the industrial town of Apatity, while the environment is at the brink of an ecological disaster. The adults while away their lives at the factory bus stop whilst the children – the token of their immortality – miss out on family life and warmth. Instead, they are left in the care of state structures that inculcate in them the traits of prisoners, making use of celebration-like dancing and marching trainings. Neither the children nor their educators are aware of this. They are convinced that they are bringing up a generation of patriotic heroes, fated to become legionnaires of the Earth and the adjacent cosmic expanses. The only way out of this system is death. However, if you die for the state you become an immortal hero. The dancing and marching fall into the conveyor-belt rhythm of the moving trains, full of grey lumps of ore that are also destined for immortality: they will become phosphorus fertiliser on which new life will grow. Film website: https://immortal.ee

The acclaimed documentary ALMOST HOLY tells the story of Gennadiy Mohknenko, a Ukrainian pastor who has taken up the fight against child homelessness by forcibly abducting street kids and bringing them to his private rehabilitation center. Gennadiy's ongoing efforts and unabashedly tough love approach to his city's problems has made him a folk hero to some, and a lawless vigilante to others. Using gripping footage that follows the self-appointed savior's mission over the course of fifteen years, interspersing imagery from a popular Soviet animated TV show; ALMOST HOLY is a bold and captivating portrait of a man fighting to change Ukraine for the better, as its place in a tense political landscape hangs in the balance.

Siege of Leningrad during World War II. Filmed by cameramen-heroes. Without words, without music, only sounds and pictures of a dying city. Or a city trying to survive.

Twelve years ago Anya and Zhenya had a daughter, Nadya. They were very young, and their life soon became a problem. Zhenya ended up in jail, and Anya and Nadya ended up living with Zhenyas family. During the twelve years that have passed, Anya has done quite a lot of changes in her own and Nadya’s life, some of them involving Zhenya. The first time Zhenya went to jail – for beating Anya – he didn’t have to stay that long. But the second time he was sentenced to four years, for rape. During most of the twelve years Anya has worked with Zhenyas mother in their shoemaker’s workshop. Zhenyas father, a retired policeman, has come and gone in the shop, taken care of his granddaughter, but also had a relationship with Anya. When Sasha, Zhenya’s father, beats Anya and ends up in prison, Anya finally leaves Zhenyas family. She has divorced Zhenya and has found a new man, with whom she and Nadya lives. "Once There Was Love"is the final piece in the multi-award winning trilogy chronicling a tale of a one-time middle class Russian family whose life is slowly coming apart at the edges. Covering the 12 years since the birth of baby Nadya, this film builds upon the previous films, including the Prix Italia-winner "I Love you Natasja", and offers a dramatic story from small town Russia.

The film focuses around Ina and Nikoloz, eleven and ten years old Georgian children who live in the 2008 Georgia-Russia war refugee village Tserovani. Unlike troubled adults who long for their old homes, the children are oblivious of the past. As they find fun and scary pastimes around the village, they try to reconstruct memories of their past, of where they came from. They don’t remember the war, but it continues to affect their present and future.

This film was shot without a single cut, hidden camera in the Puppet Theater. For 10 minutes, the child watches the performance and the whole gamut of feelings is reflected on his face, from jubilation to absolute horror. In just 10 minutes of an ordinary theatrical performance, a 5-year-old boy gains a huge life experience... An absolute classic of non-fiction films.

The hero of the film is an ordinary Moscow teenager. And he lives a completely ordinary life of a Moscow teenager. With one exception, he is a fan of the game "Dog High", although he has not played it for a long time. But today he will try to play again. According to statistics, over the past 10 years, more than 1,000 teenagers have died from strangulation games.

During the war, children, along with adults, worked in the fields and factories, shouldering household chores on their fragile shoulders. Many of them died from disease and lack of food. There was a severe famine, people were swollen from malnutrition, and in order not to die, they ate grass cakes and porridge with sawdust. "Everything for the front, everything for victory!" it was the slogan of the time. Despite the difficulties, they did not lose heart, worked hard and believed in victory over fascism.

The director set up an experiment on his own son, he filmed the moment when two-year-old Svyatoslav saw a mirror for the first time in his life.

Everyone sees them only as criminals and forgets that they are children. This film is about the fate of teenagers who have committed crimes. They are in a special closed institution and for the first time in their lives they don't have to fight for existence, they don't have to survive. For the first time, they may be who they are, just children.

How important it is to be able to see the beautiful in life, even if fate brought you to a remote Bamovsky village. The school librarian teaches children to dream, because this is what distinguishes a person from an animal. For the time being, children laugh at her quirks, but perhaps when they grow up, they will remember her lessons. Henryk contrasts dreams and romance with society's immersion in bestiality. It seems that nothing else can stop the moral decay.

The mother of nine children tells her story. Together with her children, she runs across a large country from poverty, disorder and her husband. Runs and cannot stop in any way, because it is not so easy to find a place where you can survive. The main character is torn between children and work; the school where the younger ones study, and the wedding of the eldest daughter; understanding that with her children she is not needed by the country and others, and the knowledge that she needs children, and they need her, and only for this you need to survive.

A unique family lives in the town of Snezhnoye, Donetsk region. The grandson of the once powerful director Himmash, fifteen-year-old Yura Sikanov, extracts coal to feed not only his sisters, but also his mother and stepfather. A heartbreaking story about the survival of children in the conditions of complete indifference of the adult world.

Chronicle project about children born on the eve of 2000.

Alina Makarova is a mother of six children, five of her own and one adopted. Her ex-husband is from Ethiopia, which is why all her own children are of mixed origin. Only her adopted son is white, but he is psychologically unstable. Alina's older children realise what complications the adoption might bring, and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing. The new boy really turns their life into trouble. Alina shows miraculous patience and pedagogical talents. Her children become her allies in raising the new son. This film is an epic panorama of a fight for love, an ode to motherhood.

The film is based on the real diaries of the former Nord-Ost hostage Irina Fadeyeva, whose 15-year-old son Yaroslav was killed during the assault. These are her reflections on the tragedy that happened and her silent appeal to the Russian authorities, which hide the true cause of the death of the child.

The film tells about the "devil's layer cake" of the German occupation regime during World War II, about different attitudes towards the occupiers, which forever divided people into two irreconcilable camps.

"Home Games" is a broken fairytale depicting a crucial moment in the life of Alina, a 20-year-old "million dollar baby" from Kyiv, whose passion for football has a chance of saving her from poverty.