Fragmented pieces of life, documented through audio recordings, correspondence, and video, speak of love and loss, of hope and impossibility, of the difference in potential between “she” and “he,” “mother” and “child,” “birth” and “death.” Gradually, images that at first seem almost impossible to grasp or assemble begin to stitch themselves together — like the cardiogram of white railings — into a premonition of a realization that is about to arrive and already wounds.