Mes is an experimental documentary film that unfolds as an auto-portrait - not through exposition, but through presence and process. Two musicians retreat into the forest with their equipment, attempting to make music outside of stage and audience. However, music itself soon recedes into the background, giving way to conversations, silence, uncertainty, and reflection. The forest ceases to be a backdrop and becomes a mirror for internal states, where sound, speech, and stillness coexist without hierarchy. As improvisation dissolves into introspection, the film becomes less about musical performance and more about the act of being - unguarded, unfinished, and untranslatable. Mes does not offer answers; it offers a felt space - a place where form is dissolved and freedom is momentarily encountered.

In Firework, fragments of a city's unrest — fireworks, protests, distant sirens — are transformed into a live sonic sculpture. The film documents an improvised performance where modular synthesis and real-time urban sounds collide, revealing moments of tension, beauty, and fragility.

The grandson finds the grave of his grandfather, who went to the front in 1941 and died in a fascist prisoner of war camp.

Portrait of a boy who puts up ads and dreams of changing his hometown.