One of the legends of Soviet television is Valentina Leontieva. One of the first TV presenters. She was called the All-Union "Aunt Valya". The peak of Leontyeva's fame came in the late 1960s - early 1970s, when she hosted the program "From the bottom of my heart" adored by the people. Leontyeva's story about herself in the film is illustrated by film and television footage, photographs of her personal archive. But even the most vivid memories of past glory cannot drown out the pain and longing. Valentina Mikhailovna appears before the audience in a dressing gown and slippers. The poor environment, the simple decoration of her home, and most importantly, the genuine sadness in her eyes and voice suggests that the once beloved and irreplaceable aunt Valya has been undeservedly forgotten.

The history of the formation of Russian television in faces and memories.

The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian meddling in the 2016 election that reveals an empire of fake news and the tactics of modern day information warfare.

The modern television process is unthinkable without the participation of the audience in the studio, a motley crowd of people who want to become famous. People from the crowd, who are they? The authors of the film tried to change the general plan to a close-up and look into the fate of these heroes. The backdrop to intriguing life stories is the television kitchen, where, in fact, the “star” dramas of people from the extras unfold.

A 20-episode inventory of twenty years of new Russia in the reflection of pop music and mass culture. Musician Sergei Shnurov leads journalist Boris Korchevnikov through all the significant places in the new history of the country and its stage, analyzing the nature of what is happening on it in this 20th anniversary.

Vladimir Kozmich Zworykin is a Russian man who, by the will of fate, was forced to work abroad. His work is the property of not only America, but of the entire world of science. He is also the personification of the Russian scientific engineering school and the expression of the Russian genius.

November 8, 2016 marks 55 years since the very first KVN program went on the air. "Club of cheerful and resourceful" knew good and bad times. For censorship reasons, it was closed in 1972, and was revived only in 1986. But even without the air, KVN existed on student and amateur stages, lived, developed, changed with time and country. There is not a single similar television centenarian in the world. So who are they, the inventors of this "perpetual motion machine" Muratov, Yakovlev and Axelrod?

A film about the life and work of the famous television director Ildus Kurmaleev, the chief director of the Red Square television holding.

They say that the average earthling spends at the TV screen about 10 years of his life. It is pointless to wonder if these are years lost. It is impossible to imagine our civilization without TV. Although 100 years have not passed since its invention. How did this global absorption by the TV air of the planet Earth and its inhabitants happen in such a short period of time on a historical scale? To what extent does it reflect social complexes, prejudices and expectations? To what extent is it a mirror of social psychology? Is the phenomenon of TV connected with the phenomenon of faith? Has it become something like a religion of the 20th century?

An entertainment show is filmed on the federal TV channel. The loud voice of the foreman rushes over the rows of extras: “In addition to the fact that you came to have fun, do not forget that you are at work. We smile! You will be shown to absolutely everyone." Not true. Not all. And if you follow one of the regular extras home, you can see something that will never be shown on TV at all.

One fine day, his life became one continuous rehearsal, endless runs 50 times a day, vocal exercises and the pursuit of the ideal. And here is the scene of the main vocal project of the country. He went to this for more than one month. Star jury, cameras, Yuri Aksyuta somewhere at the director's console, and a chance to become a member of the Voice show. Dozens of vocalists from all over the country pass this way. But what's next?

The film tells about modern technologies for the production of a high-quality television product, reveals the "television kitchen" and shows the most complex shooting and post-production processes from the technical side.

The film tells about the "kitchen" of Yeralash, about the people involved in the creation of the film magazine, about those children who once made the now grown-up generation laugh and who became adults themselves.

The film is dedicated not only to the history of the creation, formation and creation in the current, practically “childless” cinema of a unique children's film magazine. It also tells about adult directors, actors, playwrights, composers, artists and cinematographers, as well as people of other cinematic professions who have seriously and lovingly worked on funny children's stories. And about the children who have grown up with Yeralash. And, despite the fact that not all of them went to the "artists", they continue to be faithful to him.