They have been afraid all their lives - they are children of “enemies of the State”. Their parents were executed by firing squad, their childhood was taken away. But it is even more scary to admit that they cried when Stalin died.

Three times a year, the director's father travels for treatment in a sanatorium in the post-Soviet space. This is a personal film about how, for the last 7 years after a stroke, he believes that the moment of recreation will come.

Documentary about a young theater director Vasya Berezin and his "Binary Biotheatre", which he tries to develop first in Russia during the war, and then in Paris during emigration. It’s a film about a young man who is trying to create something new despite the difficult conditions in which he exists, about the artist in exile who is forced to rebuild his life in a new country with no money, no connections and no knowledge of language. Nothing scares or stops the main character, because he is driven by his main goal - to become rich and famous.

The film tells about the total drug addiction of the Third Reich. The Wehrmacht became the first army in the world to massively become addicted to the synthetic drug Pervitin. This miracle stimulant, which drove away sleep, drowned out hunger and caused euphoria, was used in all branches of the military from private to general.

A young artist comes to the workshop of his friend, a well-known Moscow muralist, to paint his portrait.

The heroes of the film are four completely different people. Everyone lives their own life. But what unites them is dignity. Human dignity. Dignity as citizens of Ukraine, dignity as contemporaries who wish to live here and now. Ignoring the society, which is not quite ready to accept them completely as they are. Because they are gay. The film is based on the conversations of the four heroes, as well as on the thoughts of opinion leaders in Ukraine about how the Revolution of Dignity of 2013-2014 and the hostilities in Donbass affected the heroes themselves. How society has changed its mind about LGBT+ people in Ukraine.

The film is an impression woven from people, their feelings, customs and traditions. It embodied the director's love for the infinite versatility of the world around him, for the waywardness of every person he meets.

You usually drive such people, always singing something and having fun, from the steps in the entrance, and then you will see them on Channel One visiting "Evening Urgant".

Kirill and Katerina, members of the film laboratory, came to the Urals to make a documentary film about the locals. As it often happens, everything did not go according to plan, and the heroes go on an extreme hitchhiking trip. In search of frames for a photo project, the protagonists unexpectedly find in this journey not only the theme of their movie, but also something much more valuable.

Life in St.Hiob's Russian Orthodox monastery in Munich is full of routines and monotony. In the summer of 2023 it gets disturbed by Dasha, an atheistic girl from Russia, and Rahul, an Indian boy, – two absolute aliens to the Orthodox community in search for answers to questions about isolation and death. Starting from an observational documentary, it becomes an intimate and personal story about life in a world where time has stopped. A collection of conversations about death, love and destiny giving an insight into the mindset of monks that dedicate themselves to God but still manage to remain humans – kind and lighthearted.

Their feelings remained behind — where their homes once stood, in Luhansk, Donetsk, Mariupol. The homes are gone, and so are many of their feelings; even dreaming has become difficult. But at the very least, they must be made to laugh. They are children, after all. A troupe of highly skilled “special forces clowns” from the charity foundation Doctor Clown travels between temporary refugee shelters across the Rostov region and discovers that sometimes very little is needed for happiness.

A film about the development of Siberia and the Far East.

DEMO016 is a project dedicated to the work of street artists.

The spirit of a dead person returns to his homeland, where he learns anew the rich history of his land and the simple idea that a person is immortal as long as he is remembered.

Sasha was born in Russia, but his parents take him to France, where he spends his childhood. However, Sasha did not forget his homeland, because he lives in the house of Russian emigrants. Sasha grows up, and the moment comes to leave the Russian house. Saying goodbye to this place, Sasha, together with other residents, tries to figure out which place can be called home and determine whether he is French or Russian.

The Russian team "Top Nine" is one of the most famous breakdance in the world. Over the 20 years of its existence, Top Nine has won many Russian and international competitions, including the largest Battle of the Year championship, created several theatrical productions, brought up more than one generation of students, became a model of style and an example of what a team should be like. From the first student steps to mastery, from small jams to world victories, from street shows to the big stage.

How is war experienced on an everyday level? What are the experiences of those who lost their homes, past and future? The three heroines of the film do not know each other and belong to different generations. Still, they tell their stories to the viewer in dialogue as if continuing each other's stories. The film also includes photographs from the protagonists' home archives. Nastya, 23, was born in Mariupol and worked as a schoolteacher's assistant. During the siege of Mariupol, she lived with her mother for more than a month without any contact with the rest of her family, then they managed to leave the occupied part of Ukraine via Russia for Finland. The second heroine, Svitlana, was born in Mariupol in 1973. She spent more than two months in the cellar during the siege of the city. Then she, her mother and their dog left Mariupol through Russia for Europe. Svitlana's son, who was one of the defenders of Azovstal is still a war prisoner in Russia. The third character, Elena, is 71 years old and has three daughters and many grandchildren and great-grandchildren. Elena lived in a private house with a garden on the outskirts of Kharkiv. The war started and Elena spent three weeks in the cellar of her house, almost without going outside. Water and food were scarce. She observed the destruction of the house and the garden by shell and bomb fragments. Fortunately, Elena managed to escape to Finland via Russia with her eldest daughter and their kitten. The film tells the stories of the women protagonists, their experiences of trauma and their attempts to find a new place in Europe. But all that is dear to them remains in their home country: their relatives and friends, their household and their normal life, which will never be the same again...

What remains when war takes everything away? Near the front line, in Rubizhne, a mother, a father, and their 14-year-old daughter Sonya search for an answer through selfless care for animals and people. Their love for their homeland keeps them from leaving. They have taken in a herd of cows and share milk, as best they can, with elderly people who remain in the frontline zone. Sonya becomes a volunteer, delivering milk and bread to those in need while dreaming of a peaceful future. Can they preserve their faith in kindness and hope for a better life amid the horrors of war?

Make money out of thin air and dirty the walls of the city. Give advice and wish the world well. A short documentary sketch about what excites the Moscow youth of generation Y.

There are almost 270,000 tons of plastic waste in the world's oceans today. It is many times less than glass, concrete or iron. It's just that plastic is more visible than the tip of the iceberg of ocean debris, it doesn't sink. However, plastic consumption is growing much faster than other materials, which means that there will be more plastic waste tomorrow. There is a problem, and it is pointless to deny it. But at the same time, plastic is a tool that can meet the growing needs of mankind. A substitute for wood, metal and glass, thanks to which we can preserve our forests. Unbreakable, able to take any given shape, recyclable, and therefore an environmentally friendly material. So who is right? Those who think plastic is evil, or those who say it's good?