Choreography of everyday life in a small village in Belarus. With the help of static shots and associative montage, "Khan's Body" broadcasts a look at the common life of people, permeated with invisible relations of power. The villagers move and position their bodies according to the situation and their social and professional position. Khan's Body traces intertwined social structures and recontextualizes them through montage. The stage nature of the film frames reveals the surreal theatricality of the institutionalized everyday life.