Brecht's hero navigates non-places of a modern city. He has a smartphone that receives different messages, and a smartphone camera that sometimes shoots something. Thus political escape turns into a dream.

Deconstruction of two major cinematic myths: the travel myth and the love myth. The first half of the film documents the fictitious documenting his relationship with his girlfriend. Movement in the empty space of a modern city is structured only by the functions of a working smartphone, and disorientation in close relationships is structured by impossible retellings of dreams.

The first chapter tells about the fate of white cotton flowers, and implicitly about the director who is looking for a snake and, out of hopelessness, turns his belt into it. The second chapter shows the viewer the red film language and ends with a nuclear explosion, which, of course, led to a fixed white balance. In the third chapter, the pupil of Ra dissolves, and the bell-flag pole commemorates the victims of the fog of war. In the fourth, a movie begins in which Elk kisses a fake eagle, and ends with songs, dances and bathing.