The echo of turbulent youth might sooner or later subside, but the advent of the Internet breathed new life into Sanboy and his songs. Freak, meme man, folklore character or folk hero, eternally young, not always sober, but with the same style to dress provocatively, sing loudly and live brightly, bringing the light of goodness and love to his fans, amazing and naive, witness or accomplice, a relic of the past or contemporary Prophet Sanboy.

In 1992, the first Russian horror film "Touch" was released (directed by Albert S. Mkrtchyan, scripted by Andrey Goryunov). Many film critics and viewers have argued that one of the scariest and creepiest elements of this movie is the piercing-eyed portrait. A film-essay about Andrei Stepanovich Dudarenko, a theater and film actor, whose most famous role is a silent portrait in the first Russian horror film "Touch".

October 23-26, 2002 is one of the many bloody periods in the recent history of Russia. And the most terrible days for people whose relatives and friends have become a bargaining chip in this tragedy. What was the cost of all these lives, interrupted overnight by a horrific crime? What do the fates of the survivors mean for a state that does not notice their pain? What do they mean for the people, for whom "NORD-OST" is just a terrible combination of words?

Every year, October 26, on the anniversary of the attack on Dubrovka, relatives of the victims and former hostages gather in the square in front of the scene of the tragedy. The next day, clearing the area. And so - every year. A third of Russia's population knows nothing about the Nord-Ost tragedy. News reports of federal channels on the day of the memory of the victims of the tragedy do not exceed 27 seconds.

Like investigators, in search of the truth, the protagonists of this experiment are trying to draw up a kind of “psychological portrait” of the artist, starting solely from his work. A difficult task is complicated not only by the originality of the works, but also by the personality of the author Sergei Parajanov.

Forty of our contemporaries and ten simple questions. And each of the forty is so unlike the other that it is impossible to form a general portrait of our time from the mosaic of their answers! So what brings us together, what makes us a society and a people? Are we ready to accept others for who they are?