Seidl is a film classic, a provocateur, a voyeur, a pessimist, a misanthrope, a social pornographer, and, in the end, perhaps the greatest humanist in modern cinema, in this film he destroys the last taboos of our civilization. This is a film about faith, about its mystery, its magic, about selflessness and selfishness. Seidl installed a camera behind the altar and we can find out what the devout believers are praying for.
