A story about the life of one seemingly unremarkable embankment of the Kama River in a remote area of Perm. But it is not remarkable only at first glance. Here you can catch the whisper of absolutely incredible events, real life experiences and stories that city residents tell these stones. The main thing is to observe carefully.

The “self-isolation” regime due to the coronavirus epidemic was announced in Perm on April 2, 2020. Patrol cars drove around the districts and the call was read through the loudspeakers, "Citizens, we ask you to stay at home." It was forbidden to move more than 100 meters from the house, and to move around the city without a pass. It was allowed to walk dogs, go to the nearest grocery store and pharmacy, if required to keep a distance and wear masks. People over 60 have been advised to stay at home. The streets and yards were patrolled. In the first week of quarantine, the streets remained empty. Grocery stores and pharmacies were the main points of accumulation of residents. By the end of April, people began to go out more often to walk and treat themselves to shadberry berries.

Moscow musician, church bell ringer Filipp Gorbachev travels through the provinces of Russia, exploring the nature of bell ringing. On the way, he finds an empty cathedral, within the walls of which, in prayer, he tunes in to a new musical improvisation. Asceticism and flight from the mundane open up a new sound reality of modern Christianity. The bell is the only musical instrument used in Orthodox worship, and its connection with the spiritual culture of Russia is incredibly strong. In 2016, the famous techno producer and DJ Filipp Gorbachev was trained by the master of bell ringing, subsequently becoming the bell ringer of the Church of St. Nicholas in Aksinino. Such an interest in Orthodox culture is not accidental, having experienced the influence of Peter Mamonov, the Moscow electronic musician believes in the special spirituality of the Russian dance floor. This film is an attempt to reflect it through the prayerful experience of a modern bell ringer, under whose monastic cassock hides a mechanic's red overalls, Gorbachev's usual stage attire. Following Philip, the camera, attentive to details, tries to find and capture that fragile atmosphere in which the sound of bells becomes a source of divine revelation and turns people into brothers and sisters.

Поэт читает стихи через зарешеченное окно, монгольская девочка зажигает огонь в печи, с силой дует на пламя, создавая звук, подобный волчьему вою в степи. Как и огонь, фильм вырастает из самого себя, из особого ритма монтажа.