7:59 am Moscow time. Rush hour. The author rides in a shaking subway car, examines the people opposite, and somewhere in Chelyabinsk, on a couch, a woman is preparing for childbirth. In the Ivolginsky datsan near Lake Baikal, prayers and chants are heard, and in Makhachkala the sun is baking, the mechanic has finished his work, lit a cigarette and squints through the haze on the horizon. How it would like to teleport somewhere and see, feel what a moment of Russian life consists of, how it works, ”thoughts of such an ikebana of destinies, of a cut of processes and phenomena, haunted the director since childhood. Decades later, it became clear that a metaphysical portrait of the country and a unique experience for the viewer to be everywhere and immediately can be realized with the help of a camera and a good team.

On April 3, 2017, there was a terrorist attack in the metro in St. Petersburg. The underground was closed. The historic city with its narrow streets is stuck in maximum traffic jams. Buses are packed to capacity, people do not fit on the sidewalks. Thousands of pedestrians found themselves in a many-hour urban trap without the opportunity to get home. But random car owners began to coordinate via the Internet and deliver desperate pedestrians home for free. And many institutions of St. Petersburg opened their doors to everyone who needed help. The heroes of the film are ordinary citizens who are ready to help their neighbor.

A documentary from a series about the most epic, mysterious, interesting places in the northern region of Russia. Based on the legends of local residents, the authors travel through remote villages and open the most hidden corners of Komi to the viewer, film folklore in animation format. For this film, the authors traveled around 8 different hard-to-reach locations in the Ust-Kulomsky district of the Komi Republic, talked with a dozen old-timers and local historians, traveled by boat, all-terrain vehicles, car, spent several sleepless nights in the deep taiga under the howling of wolves. The authors strive to show the epic and history of their small homeland on the screen in a modern, stylish and atmospheric way, as well as with humor. The authors do not try to adapt to the generally accepted norms for covering the stories of the hinterland. The purpose of the project is to show that the heritage of a small homeland is elegant and powerful. Filming is conducted by young creative professionals, natives of the Komi Republic.

A young teacher working in an orphanage in the north sets himself the goal of earning a large sum of money for a ticket to warmer climes and taking a girl with him. But his official salary is close to the subsistence level, so he has to do a "night job", to beat money out of debtors. Both areas of his life begin to influence each other, and he risks losing everything.