The young Montenegrin Kabir has been living in Moscow for the fifth year with a Russian girl, Nastya, the daughter of the owner of a modern art gallery on the Arbat. Collaboration, installation of exhibitions, meeting guests, communication with artists, this is the only thing that connects a couple in crisis. Nastya renounced her desire to be an artist in favor of developing a gallery, she dreams of the sea and relaxation. Kabir no longer sees the fire in the eyes of his girlfriend, he is oppressed by financial dependence on her father. Once Kabir disappears, he returns home to the coast of the Bay of Kotor. Working at a construction site with his brother and his own father, he gradually forgets the Russian language, and Moscow and the Moscow art scene seem like a dream to him. The victorious feminism, the difference in mentalities, the fussy mobility of a person, or the difficulty of self-realization in a metropolis, it is pointless to look for the reasons for what is happening. When there is only fatigue and misunderstanding that it seems that the protagonists lose each other forever.