From the author and the protagonist: “I feel distancing. I feel alienated. I feel, and it is a bitter fact for me, that despite all my efforts, one might say, pseudo-achievements, I am still an alien body, I am still not fully accepted, understood, not fully accepted element in Estonian society. And it hurts me."

The film is about trying to find yourself through connection with relatives who are very far away.

People have been living in space for a long time, in a big House called planet Earth, but only six decades ago we became the real owners of this House, because we got the opportunity to go out and look at it from the outside, from the top point. We have acquired an ideal instrument and unlimited possibilities for observing and studying the Earth. How many amazing discoveries have been made since then thanks to the scientific instruments put into orbit. We learned where most of the oxygen we breathe actually comes from, how such powerful and dangerous natural phenomena as typhoons and hurricanes are formed, we looked deep underground and discovered fantastic processes there. And this is only the beginning, only the first steps in the holistic and systematic knowledge of this beautiful and mysterious cosmic object.

What is the woman thinking? What does he discuss with his girlfriends? What worries her? How to meet true love? How to deal with the onset of old age? How to find the man of your dreams? Voice messages on these topics from different, unfamiliar women are collected in one monologue and superimposed on lyrical, eccentric, unexpected urban scenes.

A lyrical comedy about the journey of three friends across the entire island of Sakhalin from south to north. The main goal is not the first such trip to tell in remote cities and towns about how to shoot amateur films.

St. Petersburg artist Boris Koshelokhov, the guru of the Leningrad underground, decided to bring to life a super-production with a total area of ​​5000 square meters. Two preparatory parts of the project have already been completed.

The Solovetsky Monastery, built in the 15th century, is a sacred place in whose history holiness and tragedy, unity with God and the terrible ordeal of a special purpose camp have merged. This is the place where even today everyone is looking for an answer to the main question “who am I?”. The protagonist of the film goes there to shoot a documentary, and things start to go wrong.

Valery Bryusov is a symbolist poet, an idol of women, covered with scandalous fame. How could it happen that he became the first Soviet censor, a participant in the very initial oppression of Russian poets for ideological reasons? How and why did the brightest star of the unique Silver Age of Russian literature fade and die out?

The protagonists of the film almost simultaneously are in two parallel spaces, city life with a cycle of rallies and demonstrations; and life in the wild Siberian nature, in huts built on the tops of sheer cliffs, outside the state, according to its own laws. The external unifying factors of this coexistence are the city of Krasnoyarsk and the Stolby nature reserve located near the city. The internal unifying line is the assumption of the filmmakers that our main daily freedom is the ability to overcome fear.

The August war between Russia and Georgia had not only geopolitical consequences. For some, it had a personal meaning. The heroine of the tape, a Russian girl from Moscow, goes to Tbilisi to her Georgian friend Vano, who has stopped communicating with her. The protagonist is waiting for a meeting with her lover, along the way making a film about people in post-war Georgia.

On the eve of the World Cup in Russian football, there is one more club. Newcomers immediately want to become champions of the last division.

The person is dying. A person is born. Who is next to him at this moment? Almost always today it is a midwife and a nurse. The most feminine profession is often the toughest. Where do you draw strength for this work, the essence of which is to be close to a person? How to save yourself and give yourself at the same time?

The picture is dedicated to the artistic revolution of the 80s. The film uses rare archival materials and unique footage featuring Georgy Guryanov, Vladislav Mamyshev-Monroe, Sergei "Afriki" Bugaev, Viktor Tsoi, Sergei Kuryokhin and other contemporaries of Timur Novikov. The film is included in the program of the European Biennale of Contemporary Art "MANIFESTA10".

The film tells the story of an unusually successful art project of the last decade, the story of Alexander Vinogradov and Vladimir Dubossarsky.

Artom and Lilya husband and wife. They are the children of great scientists. Like me too. We were born in Akademgorodok (USSR), the new Atlantis, built by our parents in the 50s. We saw it, lived there. And meeting each other many years later. Being already from completely different worlds, we decided to spend a vacation together. A serious thought about a possible nuclear strike on our native city, on our homeland, made some changes in our trip. And changed our life too. It was Russia, 2014.

The film is dedicated to the memory of Marfa Semyonovna Kryukova, an exemplary author of "Soviet folklore" and a connoisseur of traditional folklore. Official image 1930-1950 is replaced by the memories of fellow villagers and relatives, and the view from the researcher's office is replaced by what the official memory of the storyteller looks like today. This is a film about a person, about time and about the fundamental subjectivity and limitations of our view of them.

The modern "hangout" is trying to understand what art is. Various historical associations of the old and the new form one temporal picture from the Soviet past to the present day. The concept of art, its perception should be free.

The director talks about his childhood and the places where he passed, renouncing the experience of the years that have passed since then.

The protagonist of the picture is Sergey Dyakov, a Vologda air ambulance doctor. A film about the real everyday life of doctors in the outback of Russia, about the difficulties, about the presence of responsibility in the profession of a doctor.

The film is a journey into childhood, the central image of which is the giant apartment building of the Rossiya Insurance Company in the center of Moscow. Its history and present, stairs, spans, attics, workshops of artists, all this becomes the territory of memories of the childhood of the author and his parents, realized with the help of animation.