Monarchist Vasily Shulgin and communist Friedrich Ermler, once these two powerful heroes personified Russia, torn into two irreconcilable ideological camps.

My mother is 55 years old. The dreams of her youth did not come true, three children parted, her husband turned out to be a stranger. It is necessary to find a meaning to live on and she decides to do network marketing, improve the health of the population of a small provincial town in Belarus.

The heroes of the film, were mainly young people who renounce self-interest and self-love, in search of meanings, striving for self-restraint, to protect humanity and love, - students, workers, artists, athletes, military, ecologist.

The film continues the tradition of "village lyrics" of Russian documentary filmmaking.

The film tells about the dramatic fate of Lydia Nikolaevna Delectorskaya, muse, model, love of the great French artist Henri Matisse.

Katya walks through the old snow-covered cemetery. Her legs get stuck in the snowdrifts. The girl is looking for her mother's grave, digging up slabs from the snow. The search for her mother makes Katya deeply immerse herself in traumatic childhood memories, relive them and walk the path of her own life. But where does this trail lead?

A film-portrait of the outstanding conductor Vladimir Yurovsky, who led the London Philharmonic Orchestra and the E. Svetlanov State Symphony Orchestra for many years. Now Yurovsky is the general musical director of the Bavarian State Opera and the artistic director of the Berlin Radio Symphony Orchestra. A man of the world, open to different cultures, but missing the Moscow winter.

There are two people in the center of the story, Tatyana and Sergey. They have lived almost all their lives in the village at the "end of the world", but now they are forced to leave their home.

Olga picks up a downed dog on a busy highway. Alive, but with a serious injury, a fracture of the spine. Veterinarians advise the dog to be euthanized, because Rada has little chance of surviving. But the girl decides to fight for Rada's life. And soon she will realize that she is not alone in this struggle. And there are more victims from "our smaller brothers" than she could expect.

The film attempts to comprehend the phenomenon of the Empire in a broad cultural context on the example of the great empires that have existed for centuries, experienced a rapid flourishing and sometimes mysterious death.

The film tells about the life of the mountainous Dagestan village of Chokh in the period between the engagement and the wedding, which was witnessed by a traveler around the world from South Korea.

In the 60s of the XX century the construction of the Nizhnekamsk hydroelectric power station began. According to the plan, 173,000 hectares of land in the republics of Tatarstan, Bashkortostan and the Perm region were to remain under water. Here preparatory work begins: forests are cut down, electrical lines are disabled, the dead of the local cemetery are reburied, residential buildings are destroyed, 700 thousand people are resettled. The village of Semiostrovo was also in the flood zone, and in 1976 the population left these lands, but one person remained. At the same time, despite the government's warnings, the village was not flooded.

Sergeу has been traveling through 22 countries for 2 years. He met with pleasant and dangerous acquaintances, funny and tragic situations, love story, despair and joy. This is a story about finding yourself and your place, about growing up, courage, freedom and a strong unstoppable stream of life.

Shot in Kyiv, Bucha and Gostomel in May 2022, the film shows eyewitnesses of the beginning of the full-scale invasion and the following Russian occupation. The protagonists share their impressions of those days and their thoughts about the present and future.

The whole life of this village is concentrated in one store. They go to the saleswoman Tatyana for chicken, vodka and medicines; they go to learn the news, to warm themselves, to ask for a loan of money, to complain, to celebrate holidays. All roads here lead to "Products".

Roland could join the ranks of office plankton in Moscow. But he dropped everything. He returned home to Kyzyl. I bought a "soap box" and started making movies. Action, comedy, thrillers. His films are popular and make money. Roland has already shot 10 films and continues to make films. At any price. With nothing. in Tuva.

Films about possible options for the death of the planet Earth or earthly civilization. At the beginning of the third millennium, humanity is increasingly aware of the danger to its existence, which can come from everywhere, from outer space, in the form of a huge meteorite or alien landing, from micro-worlds, in the form of deadly viruses, the Earth itself can become uninhabitable. Which option is the most likely? Are there ways to avoid planetary catastrophe?

Vika and Serezha have been dating for almost three years, but they never get married. They blame Serezha's grandmother, who strongly dislikes Vika, for this. At the same time, their relationship is far from traditional ideas about romance, they constantly harass each other with reproaches and quarrels. But maybe this is what true love looks like?

A small town in western Germany is the last stop for 26,000 pigs per day and a temporary home for masses of Eastern European temporary workers.
 The workers of the largest slaughterhouse in the country are fighting for survival, while German activists who stand up for their rights, are fighting against the local authorities. At the same time, Munich high school students are working on the play "Saint Joan of the Stockyards" and trying to grasp the old text and German capitalism of our days. Interwoven with the thoughts of the young people and their examination of the text in the rehearsals, the film deals in various fragments with conditions and facets of temporary work and labour migration in Germany.

Moving from Siberia to the Baltic Sea makes the author look into family history. However, she not only has to dismantle family archives and look for lost relatives, but also face the tangled labyrinths of memory as such.