The film was made for the 100th anniversary of the great Russian-German biologist, geneticist Nikolai Timofeev-Resovsky (1900-1981), a man who substantiated the fundamental provisions of modern developmental genetics and population genetics, who took part in creating the foundations of modern radiation genetics.

The protagonist of the picture is a descendant of an old noble family, Viktor Alexandrovich Galagan, a ballet dancer, a graduate of the Leningrad Theater School, now a teacher at a children's ballet school. The son of a famous scientist-economist, one of the founders of Soviet accounting. As a teenager, together with his father, he was subjected to repression. Viktor Alexandrovich's memories of the life of his ancestors are intertwined with his real life in an old dacha in the Moscow region with a dozen beloved dogs and Dunya, a housekeeper.

A woman’s biggest joy is giving the gift of life to a new human being. The biggest pain – the loss of a child – helps to see the beauty in life. This film is about life and how miraculous it is that we are alive.

The history of the beginning and flourishing of domestic computer technology and cybernetics in the 1950s-1960s. About a utopia that almost came true. Automation and cybernetization were even written into the Third Program of the CPSU in 1961. It was called the "Program for Building Communism", and it promised that in 20 years a communist society would be built in the USSR, free from exploitation, from want, from class contradictions, giving every person every opportunity for creative self-realization, based on the principle "from each according to abilities, to each according to his needs. The creators of this utopia, the carriers of a reasonable creative principle were scientists and engineers-cybernetics.

Ten young directors spent two months with the camera. The result is chronicles of the protest winter 2011-2012. The film is about those who make a political agenda, and about those who are not satisfied with such an agenda. People, faces, conversations, rallies, victories and defeats on the eve of the presidential election. Live camera, live characters.

In the Russian hinterland, 1000 kilometers from Moscow, at a vodka factory in Zhigulevsk, women work, who are united by one concern, namely, to work a shift at the assembly line, then return home, where children, female loneliness and dreams of happiness are waiting. But twenty-two-year-old Valentina is struggling to change the current vicious circle, she wants to go to Moscow and become a TV star there. Valentina's mother also dreams of finally finding a mate. However, one of the two women will have to sacrifice their dream for the sake of the only main man so far in their life, Danila, Valya's little son.

These are forty-minute memoir films, where a maximum of versions of the same event are presented, proposed by the main characters, according to Irena Lesnevskaya, "making history and living at this time."

The young writer and musician Yevgeny Alekhin is waiting for the release of his first book. But this does not mean that his life is a continuous expectation. There are a lot of things going on in it. Perhaps something of what is happening is much more fateful than expected.

Two people who have to share power cannot share it. And when suddenly the commissar has a beautiful wife, then not only the power became the subject of their rivalry, but also this woman. Who is she for? Who will she stay with? And in diaries, and in letters this idea is traced all the time.

The history of human life in photographs. A very personal film made by a director about his beloved late wife.

Former Afghan Mikhail Puchkov is trying to escape from modern society. He invents a dangerous hobby for himself, builds a submarine and seeks solitude in the troubled waters of the Gulf of Finland. But gradually the passion turns into the meaning of life.

At the turn of the millennium, Viktor Pelevin became perhaps the most fashionable, popular and commercially successful writer in Russia. At the same time, he does not appear in public, does not give interviews, wears dark glasses, and does not like being recognized on the street. Who is he, this mysterious Mr. Pelevin? How did it happen that today the most honorable title for a Russian writer, “ruler of thoughts” turned out to be applicable to him? And how did he manage to keep his "incognito"? All this is reflected in the film by people who knew our elusive protagonist well at different periods of his life, his classmates and teachers, friends of youth and colleagues, writers, critics and publishers.

Yuri Vella is a Nenets hunter and poet who fights against the oil concern for his ancestral lands.

Yulia was born in prison, and three women at different times were her mothers. Now that Yulia is seven years old, each of them claims to keep the girl for herself. They all want to do the best, but their actions threaten their daughter's future.

The phrase "Black holes" appeared thanks to science fiction, but came into use thanks to science, which thereby confirmed their existence. Black holes remain as much a symbol of a bold scientific hypothesis as white spots are a symbol of scientific mystery.

The Tour de France is a great journey of Vladimir Pozner and Ivan Urgant through France, which they traveled in cars and bicycles from Paris to provincial towns. On this trip, the film crew had to experience what is called the "French paradox", they drank a lot of wine, but no one got drunk, a lot of food was eaten, but no one got better. What is the "art of living in French"?

Over the long history of mankind, natural disasters, volcanic eruptions, tsunamis, tornadoes, earthquakes have claimed a huge number of human lives. To what extent now, in the 21st century, is science able to withstand these disasters? Has humanity learned to notice, see and analyze the secret signs of the Earth that portend such catastrophes?

On the eve of demobilization, 13 years ago, during the Second Chechen War, 19-year-old Roman was seriously wounded in the head. He miraculously survived, and spent all these years in a continuous struggle with a physical illness, with his own weakness and despair, trying to learn how to live again.

An honest, tough and at the same time touching film about the everyday life of conscript soldiers.

On the one hand, this is a monologue of one Chukchi, and on the other, a whole people. A monologue about life, about the Motherland, about what makes the Chukchi break away from their roots. This film is a possible projection of our future. Because many of us, choosing the blessings of civilization, risk losing ourselves. How to get out of the "blizzard"? It seems the Chukchi know the answer.