An 18-year-old Sámi rapper on his journey towards a career in music and stardom. A film about the urge to create one’s own version of Sámi culture.

A documentary filmed in one shot that tells about how much effort the film crew puts in to perfectly shoot the last take in a shift, and at the end get only 28 seconds of screen time.

For decades, there has been a scientific debate about who actually wrote the famous lines “Farewell, unwashed Russia”? In our project, we will present all sides of the conflict, listen to all points of view and allow the viewer to judge for himself who the author of this work is.

Two indigenous residents of St. Petersburg accidentally meet on the Fontanka embankment and begin to remember the city of their childhood.

The film is an inspiration and an attempt to answer an important question of the era: when everyone can take pictures without restrictions, why fix the time if everything around us is temporary?

Personal reflection and research on the topic of small nationality and involvement in it. On the basis of meetings with relatives, with people who have contributed to the life of the Nagaybak region, with the inhabitants of the villages, a picture of today's life of this people, the Nagaybaks, emerges, and it also becomes clear what has already been dissolved in time.

A documentary film about the cult theater "Litsedei", the story of which is told by the clown Leonid Leikin.

A film about the Luhansk militias, whose fates are traced during the most critical period of the war, which has been going on for the fourth year now in the Donbass.

Irina is a military nurse who has seen hundreds of deaths at the front. Returning home, she divorced with a man..0 who "cannot understand her desire to help people." They split up after 15 years of marriage. Irina is chased by intrusive memories of shelling, she does not sleep for several days, pulls back into the trenches. Even staying in a psychiatric hospital did not help her come to senses. Irina cannot realize herself: before the war she worked as a fashion designer, and now she is not interested in it. The woman's dream is to die as a heroine, defending her country. The seven-year-old daughter is only one reason why she does not go back to the front again. Irina tries to adapt to the ordinary peaceful life that seems dull and fake to her. Iryna does not want to start new relationships and create her family again as she cannot trust men after the life she has seen at war. Sashko was a mortarman. He got serious contusion trauma. After the treatment at the hospital he got a job at the gas station. His wife Olexadra is a former opera singer. She does not know how to help her husband cope with the post-traumatic syndrome. Sashko suffers from uncontrolled aggression attacks, he uses physical tortures against his wife and daughter. Before returning from war, Sasha had never abused his relatives. He admits that he has serious problems with behavior and they are connected with the front-line past, where he began "like to kill people." Sashko is undergoing medical rehabilitation, he wants to normalize relationships in the family, but he does not know if he will be able to become a normal loving husband again. The first part of the film depicts the acquaintance between Irina, Sashko and Alexandra during a vacation at the sea. We shoot their thoughts, memories, and hopes for the future. Irina is at the crossroads. On the one hand, she wants to fight again (communicating with Sasha), on the other hand she is inclined to be an ordinary loving mother who brings up her daughter; she has to get rid of the guilt for years spent in the war without her (talking with Alexandra). Both families are spending time at the seaside, until a tragic incident occurs. It turns everything upside down… The second part of the documentary is devoted to the issues of rehabilitation of people suffering from post traumatic disorder syndrome. We will see how the characters’ attitude to the "peaceful world" will change. We focus on their relations and family changes. We will investigate the psychological methods of rehabilitation in different countries. Are they worth applying in Ukraine? However, the main objective of the film is the documentary observation of specific ex-military men struggling with depressive state and the attempt to return them the opportunity to feel happy in ordinary life without a war.

Today there is an acute question of the need for provocation in art. The position of the heroine of the film, facing the fate of the Russian woman, encourages the viewer to think.

This film is the quintessence of a complex approach to the search for and formation of the modern national identity. This search is portrayed through the story of the «Kudykina Gora» Nature Preserve and its owner.

Revir is a film about longing. Siblings Susie and Sune have been left to themselves since childhood. Together they buy an old farmhouse and surround themselves with animals—live, dead and in different stages of resurrection: She is a promising taxidermist and he has decided to sustain her dream. But they long for different things and cracks begin to show. The film explores the landscape inhabited by Susie and Sune and the nature that inhabits them. Is siblinghood enough? Or is it too much?

The protagonist of the film is Russian actor Vladimir Ivanov, who has moved to Finland with his wife and is trying to start a different life in a new environment. As a creative person, he knows how to look at himself from the outside. Evaluate and understand, and not only the actions of their loved ones, but also their own. Having left on the rise of his acting career, he has to initially give up his profession and earn a living in a non-creative low-paid job. He builds family relationships, sincerely trying to integrate, to merge into a new environment. At some point, Vladimir realizes that the problem is not so much in him, but in the history of relations between Finland and Russia, which is reflected in his personal life. And he wonders, "What's so bad that I'm Russian?"

The participants of the film are ballet dancers from different countries, Russia, Italy, Kyrgyzstan, USA, Germany, Ukraine, Japan, Argentina, Brazil. They have different life paths, but they all have the same love for dance, namely ballet, and a common goal to win the prestigious XIII International Competition of Ballet Dancers and Choreographers at the Bolshoi Theater. The jury included such honored artists as Yuri Grigorovich, Marina Leonova, Valentin Elizariev, Nikolai Tsiskaridze and others.

A film about the Moscow theater actor and director Andrei Dennikov, in which the audience recognized an unusual theatrical phenomenon from his first performance. Even before graduating from the institute, he stood among the chosen by Mozart's lightness and brilliance of his theatrical productions, Yesenin's appearance and Pushkin's depth of thinking about the fate of Russia. His love for the theater and the audience was a continuation of his inner harmony and spiritual generosity. The film reflects the eternal conflict of the divine gift and the disbelief, envy and petty passions that oppose it, which, like Pushkin's Mozart, led to the death of a talented artist.

The action takes place during the days of the anniversary celebrations on the occasion of the 100th anniversary of the Soviet writer Fyodor Abramov in the village of Verkola, Arkhangelsk Region, where he was born and raised. The protagonist of the film, a countryman of the writer, decides to read the cycle of stories "There were-there weren't" and recalls consonant stories that he heard from his fellow villagers. In conclusion, all the characters answer the main question: “How should this life be lived?”

Pavel is an entrepreneur from the village. He cuts trees in the cemetery, clears roofs of snow, breeds Hungarian pigs, and is fond of dialectical materialism. On New Year's Eve, the bride comes to visit him.

In this multiple-award-winning debut film, director Markus Toivo helps his father build a steel gate to their unfinished family house in rural Finland. During the process, they attempt to rebuild a bond which was broken some 30 years prior, when the father left his family and disappeared abroad. A deeply personal and delicate film about family wounds and the changing face of masculinity

A film about the Luhansk militias, whose fates are traced during the most critical period of the war, which has been going on for the fourth year now in the Donbass. Summer 2014, the moment of truth, the death of Russian journalists, hundreds of thousands of refugees. Luhansk, a city with a population of 700,000, is defended by no more than a thousand fighters in these tragic days. Then there will be humanitarian convoys, Russian volunteers will come, Russia will move, begin to help the Donbass, at the same moment everything depended on former collective farmers, miners, teachers, taxi drivers who took up arms and went through each of their unique military paths, became militia fighters, artillerymen, commanders of platoons and regiments, and miraculously defended the city. The authors of the film filmed next to their protagonists, sometimes under fire, but in addition, they distributed cameras to the militias themselves, taught them how to shoot. About the militias of Lugansk, about a thousand brave people who wrote history, without understanding it themselves, this film.

A film about finding yourself and your place in life. A young girl lives in two cities and is trying to figure out where her real home is.