The Second World War left emotional scars that, almost seventy years after its end, are causing suffering for more than one generation of people in Ukraine. Tamara was born in 1942, her mother is a young Russian nurse, and her unfamiliar father must be a Russian officer. Tamara and Johan's film is a personal family story based on the mother's war memories and family photographs showing her carefree life before the war. Tamara also remembers her own childhood, and also asks relatives and former front-line nurses in Ukraine, and then builds puzzle pieces into a complex history of the 20th century.

Artem loves Yulia, and Yulia loves Artem. They recently graduated from high school, moved to Moscow, and began their independent lives. Looking for ways to earn money in an expensive city and spurred on by Artem, they start to shoot homemade porn. Yulia become Eve Elfie, an international porn star. Their sudden popularity becomes a trap for the young couple's stability. How does this unexpected trajectory change the course of their lives and their relationship? Artem and Eva's hopes and doubts, their deepening desire to achieve the American Dream, and issues of their generation lead this coming-of-age romance.

Three stories about men of different ages and professions who extract gas from one of the fields on the Yamal Peninsula. For them, this is the only opportunity to earn decent money, and in order to support their families, they are forced to leave them for a long time. Watching the heroes, we are trying to understand what pulls people north and keeps them there? How do they deal with difficulties? Is the money they earn worth the trouble they have?

The film is about our times as reflected in the lives of women. It is the story of my classmates, the children of complete and total socialism, the environment where we grew up, our youth and who we are today. Newspapers and other mass media have never run stories about my classmates. They are background players who have never been really discovered. All we know is that they exist. They are the true representatives of their generation, a few among many women sharing the fate of their sex. The film is about women whose main function was family and raising children. They worked salaried jobs, cooked for their families, cleaned and washed and stood in long queues to buy sausage. Were they able to realize their dreams and their potential as women and as personalities?

Thirty-year-old Igor, who received two higher educations, has been living illegally in the Chernobyl zone for seven years now. All he wants is to find peace and an opportunity to move away from civilization. Igor is tormented by a number of psychological problems, both personal and global. A harmonizing world, eternal emotionality and the existential mystery of human existence coexist in it at the same time. Igor is surrounded by elderly residents of the Chernobyl zone. They seem to live in an unreal Atlantis, from where even the war going on in Ukraine seems to be something unreal, taking place on another planet.

For twelve years, war photographer Oleg Klimov captured on film the collapse of the Soviet Union. He was present at almost all military and ethnic conflicts in the 90s. His photographs were on the front pages of many Western newspapers, as silent witnesses to the wars in the former Soviet Union. But Oleg's career also influenced his personality. After several quiet years, he unexpectedly finds a war injury on his own. Driven by inner longing, he returns to some of the places where he photographed people during the war, to Nagorno-Karabakh, Abkhazia and Chechnya, to find those who are depicted in the pictures.

Olya is an active member of the LGBT community. Her friend Galiya doesn't want politics to rule their lives. They love each other and dream of having a child, but when the State Duma passes a discriminatory law against propaganda of homosexuality among minors, Olya begins to fight for the rights of sexual minorities even more strongly. At the same time, the girl's personal life is being tested.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength to continue sharing his work, his vision and his films. Having a PhD in anthropology, Mantas Kvedaravičius wanted his testimony as a filmmaker be free from the agitation of the media and the politicians. With huge force and sensitivity, “Mariupol 2” depicts life as it continues amidst the bombing, and it reveals images that convey both tragedy and hope.

The Pridnestrovian Moldavian Republic declared itself an independent state in 1990, but has not been recognized by any country in the world since then. More than 20 years have passed, the economic situation in the quasi-state is difficult, social discontent is growing due to the arbitrariness of the authorities, political activity is increasing, especially on the eve of the elections, in which the incumbent president, Igor Smirnov, who has ruled the country for 20 years, again puts forward his candidacy. His opponents defend various interests, but absolutely all of them are turned towards Russia and vying with each other express their boundless devotion to their potential homeland, which is in no hurry to reciprocate tenderness.

On June 10, 2013, with a budget of 100 rubles a day, hoping to hitchhike, I set off from Moscow to the east of Russia. The final goal was Vladivostok. It was necessary to overcome the distance of 9200 km. I was not limited in time. With the people you will see, I spent a few hours, with someone a few days. But I did not know any of them before this trip.

Denis and Ekaterina are going to get married. They still have so much to understand, namely, on which finger the ring is put on, what items will be in the wedding contract, and also that it is impossible to become spouses without the traditional rite of blessing by parents. They want to hold a celebration in European style, but relatives insist on a loaf and traditional competitions with collecting money in sliders. You will see what a real Moscow wedding really is and what the spouses really do immediately after the end of the event.

An intimate cinematic odyssey on family, love, lies, betrayals and everything in between.

Masha is a bright girl who knows the value of her beauty and charisma. The price is so high that she can afford not to work, have a car, an apartment, live in the center of the capital and not worry about anything. It would seem, what else can you dream of? However, Masha's soul asks for more, money and expensive gifts for some reason no longer bring happiness. And one day fate gives her such a chance. Masha starts a video blog on Youtube, where she tells the girls about what she knows firsthand, namely, how to get hooked in Moscow, how to take care of yourself, how to meet a rich man, how to keep him. And from that moment on, Masha's life changes dramatically.

Podnieks, as one of the most outstanding Latvian documentary filmmakers, was able to speak directly and openly about his time, society, individual and nation. He sought answers to difficult questions in the nation's past and encouraged self-awareness, seeking ways for a more prudent existence of his people in the future. In the interviews, previously unpublished diary entries, photographs, and film fragments included in the film, the viewer will have the opportunity to follow the twists and turns of the creative personality's growth and be present at important turning points in our recent history. Most importantly, it will be an opportunity to meet Juris Podnieks again and get to know him anew.

Seven years ago, Svetlana Nikolaevna bought a large farm with land and cattle, sold her entire business in the city and left alone 200 km from Moscow. Do new business.

Oksana Shachko is a woman, an activist and an artist. As a teenager, her fascination with religious painting led her to seriously consider entering a convent, but in the end she used her talent to create and promote the FEMEN movement. Between a fiery need to create and a deeply-rooted will to change the world, she co-founded the famous group of women activists, which has led her from her native Ukraine to the four corners of Europe.

How do new technologies affect the development of cinematography? Good or bad? Is it true that film has a magical effect on the viewer? The authors of the film, together with psychologists from the Higher School of Economics and Moscow State University. Lomonosov are organizing an unusual experiment, which should prove the difference between the audience's perception of a film screening and from a digital medium.

In Russia, the attitude towards death is paradoxically irrational, we all seem to live forever. Entrepreneur Sergei Yakushin is the only reasonable "crazy" who led a funeral "revolution" in his native Novosibirsk. Yakushin himself turned to face death after being diagnosed with advanced cancer 15 years ago. And they gave me a year to live.

The protagonist of the film is a former member of a criminal group, has several convictions behind him. The criminal path began with a juvenile colony and eventually led him to the brink of death. Is there a chance to return to normal life if the point of no return is passed, and you yourself become a god for yourself. “I did not return by myself,” admits the hero of the film.

A fantasy film about the great actress of Russian cinema Margarita Terekhova. The transience of human life, like a dream, in which reality and art, personal joys and dramas are intertwined with the feelings and emotions of the characters played.